Tuesday, 23 May 2017

the night khushi...


21 september was a special day... from crooner 1.42, jab tak hai jaan, page 3, my first thoughts on her saying yes, and him opening a dori finally.

i loved this episode... the dance added to the feeling of immersion in each other.



i knew she'd do it, and indeed she did.
to the towel dancer and his one true lover.

you are right, priya, that needs some recovering from and no amount of replay is enough.




edit
priya, just read your beautiful update. rich with quotes and thoughts, real and in love. my thoughts still floating. sorry, will update monday morning.

will leave a quote here, that struck a chord:
"do you want me to tell you something really subversive? love is everything it's cracked up to be. that's why people are so cynical about it. it really is worth fighting for, being brave for, risking everything for. and the trouble is, if you don't risk anything, you risk even more."
~~~ erica jong ~~~


update
it all came together finally. under the stars and revolving planets, floating upon an inky blue ocean in the night, nestling on a bed of glimmering mother of pearl, two lovers; each the other one's pearl, the ocean crashed on the shore, the shore undulated and raced to merge with the water. take me.



what sound was that?
i turn away into the shaking room.
what was that sound that came in on the dark?
what is this maze of light it leaves us in?
what is this stance we take,
to turn away and then turn back?
what did we hear?

it was the breath we took when we first met.
listen. it is here.


~~~ harold pinter ~~~


yes, it was there, their very first crashing upon each other; a girl in the wrong place at the wrong time losing her balance, falling into arms that were not wanting to be there, shock and surprise and something else in that breath of first collision. what was that something else? today it found its answer.



she had found her balance, and the arms now (as then too) did want her. and only her. nothing else but her. i understand, take me.


priya, i am still dizzy really. delirious and yet in a funny kind of calm. guess this is the effect of coming upon real beauty. how not to think about something that brings us to that. true, the hindi serial "elements" are too pronounced at times, even unbearable. but every now and then along comes magic, that restores our senses, resets our sensitivity, makes us feel the things that matter. makes us believe, "fairytales can come true, it can happen to me, it can happen to you..."

 
"dance is a vibration of the spirit that stirs the body to move when music is being played. by that definition, it is not unreasonable to conclude that if the quantum universe is made of music, then we are all dancing right now." ~~~~ lar lubovitch


there was so much dance last week. a love story was told, a proposal made, a lover was punished. as we laughed and hooted and swayed and tapped our feet, as we dropped our inhibitions, opened up and relaxed, the real and last dance started on a quiet note in a secret place, under the stars, above the earth, in a space beyond the grasp. every move was natural as though they'd practiced for years. when he arrested the motion of her arm reaching for a remote, held her hand and brought it to his lips, why did my heart thud. what did i know and how? somehow, one knew this time the dance would reach its climax, there would be no rude interruptions.



but before that started, she finally took as hers what he'd been practically thrusting upon her since the night of a terrible fight. huq. it was his way of saying take me. claim me as yours and yours alone. tonight when he asked: why did you come here? she looked into his eyes and said: because only i have huq over you, no one else. what would you have done if you'd found another woman, sorry chudail, here? i'd have killed her, but before that i'd have pulled her hair.
at last at last khushi was feeling, all her feelings. her love, her lust, and lo and behold, her hate. it was time to feel the truth. (kalpana's storyboard "kiss me" had the most interesting tying up of these words and it just stayed in me. thanks, kalpana, hope you don't mind the borrowing.)


he wanted to show her something. their own galaxy, neatly contained in a room, or was it just limited to that.
there he laid her down and held her in his arms to tell her she was everything to him. what, she wondered, their parents must be talking about, looking up at the stars he'd fetched for her, just as she'd said to her mother he would all those months ago. oh they'd be happy to see their children had found true love.


true love.


but how do you know it's true? he asked. she knew. a convulsive move toward him, arm reaching out and wrapping around, as she recalled his being away. they remembered a conversation outside the barrier of time and space. "hum done... kitne ajeeb hain." ajeeb. his word for her, now his word for both of them. is he relieved to rediscover his ability to be "ajeeb"? strange are the ways of love.


somewhere along all this talk and play, their breath grew thicker, warmer, a wanting to be one in them. he broached the subject, ever so gently, holding himself back. i'm sorry i know, you don't want to... not before the wedding. she stopped him with a kiss, with a arching of her body, with a few words. i understand, i trust you. the winds sang, make love to me.


khushi let go of the hold of the outer world and acknowledged an inner truth. she loved this man, this man loved her, without limit, without barriers, with all of him, she trusted that. that's what made union with him right, correct. he had taken her as his wife on the basis of their wedding, she accepted him as her true husband tonight. brilliant bend in the story. nayi soch finds place at last.


the most lyrical yet completely natural movements of body mind heart and soul followed. who had thought of this? how could anything be so beautiful? take off the bangles, remove the earrings, untie a string, let the woman in black lose herself completely on this inky blue ocean of love. let her lover merge himself again and again in her. for this is love, real, ethereal, surreal. this is true love.


ek.


truth is one. aaj se hum ek hain. hamari dhakane ek ho jati hai.




three memories (there are many, but these i wanted to share):

1. in crooner 98, priya, on the day of their fight, you'd chosen two insightful storm quotes.


"and once the storm is over, you won't remember how you made it through, how you managed to survive. you won't even be sure, whether the storm s really over. but one thing is certain. when you come out of the storm, you won't be the same person who walked in. that's what this storm's all about." ~~~~  murakami


"there's always another storm." ~~~~ maria v snyder


in my post i'd referred to that: murakami's storm leaves you changed every time. snyder's storm is always there. as one ends the other comes. sometimes there's a little respite, happiness, giggles, koochie coo, rain dance. but the storm does return. yet through it all love asserts, ascends, attains. you give each other sukh but also dukkha. khushi will too, i am sure, if this love is to go where it can. one day your feelings transcend the petty limits of earthly hurt and pain, crosses boundaries you never thought you could, and reaches for hamesha. you no longer need to say it. you become part of each other. not getting carried away. promise.


2. in crooner 1.2, the night khushi didn't accept asr's birthday wish, your quote:
"it reminds me of that old joke - you know, a guy walks into a psychiatrist's office and says, hey doc, my brother's crazy! he thinks he's a chicken. then the doc says, why don't you turn him in? then the guy says, i would but i need the eggs. i guess that's how i feel about relationships. they're totally crazy, irrational, and absurd, but we keep going through it because we need the eggs." ~~~~ woody allen


i wrote in my post: how come wise, deep beauty is sleeping, not letting her shaitan feel a bit better. he's been trying desperately since that fight and forcing her to remember the contract. disturbed me. but no matter. priya, thanks for that woody allen quote, we're all in it for the eggs really. i want it, mr raizada wants it, and something tells me sleeping beauty will wake up soon and ask for an omelette.


3. after the thursday episode where the towel dancer floored us, i'd written: "i do have a crib i confess. i am not connecting to khushi as well as i want to. is it the writing that's making her tad too strident and sp bahu? or is it performance? or both? no idea. gut again. khushi kumari gupta is far more than this. i hope the problem corrects soon. asr and kkgsr need the other to be completely themselves." and the next day, khushi just got it all back, i was lost in her. had been so wanting to see her looking gorgeous with minimum fuss. and there she emerged in her lbd. has a black blouse ever been this sexy and sat on such an innocent bare back. the straight long hair minus bouffant, the silver touch on arms and ears, the bindi, absolutely alluring. both times asr chose her clothes, he did a pretty neat job. fire her designer, employ her husband instead. her huq.


right from that moment on june 6, 2011 when they first set eyes on each other, we've been coming toward last friday. one long, unbroken dori gathering pearls, one by one, ah so many many memories. now that a string is untied, a string is done, and the next one begins. an extraordinary tale of love, be prepared for giddiness, dizziness, giggling, laughter, heart thudding, pillow clutching, and tears.


hamari dhakane ek ho jati hai. 


it was the breath we took when we first met. 


listen. it is here.

 









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fanfiction



Thursday, 12 January 2017

a jhalli in black and a tycoon in ishq







so did the tycoon ask the jhalli to go and do a naughty vampish hindi filmi dance for him, now that he had done the towel dance for her? and did he have any idea how the bratty kkg could turn into the corniest sexiest namak issk ka dancer even as she tripped and fell in her bid to be the come hitherish femme fatale. okay, she in black with touches of silver and sparkle, there was no question of him not going where she wanted him to. ah, that suggestive forefinger sashay on the tycoon's haughty nose, that look of his saying i may be cool but you're too cute and crazy to resist, but even that didn't prepare me for what was to come.


 







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fanfiction


Monday, 2 January 2017

love beyond ritual... episode 348







suddenly in the middle of a lot of colour and custom and ritual, a beautiful thing happened. love spoke... once more. it said quietly to a girl torn between tradition and beliefs deep seated and an overwhelming love that so wanted to be expressed, that it was alright... it was okay. she could listen to her heart and go with what it said. the girl who never had a problem with hearing her heart's words grew immensely as she heard its deepest whispers, without fearing a thing. hum samajhte hain, she murmured, hume bharosa hai... aap pe... aapke pyaar par. with that she brought down the barrier she had felt she had to create one night. and so, on this night before she married arnav singh raizada with all the rituals and customs as she seemed to have wished for, before those pheres for which she completely, and i feel unjustly, rejected his love, his desire, his heart one evening, she allowed him to make love to her... and didn't hold back. she understood a relationship beyond its physical markings. i hope she understood, she had been married all along. the man who loved her would never denigrate her as a woman... if he had to, he had enough opportunities, not one was taken. ipk has given us many firsts, it has treated us with respect more often than not. i felt respected as a viewer when it took an adult view of sex and its place in the deepest relationship we enter, that between a man and a woman who love, ritual or no ritual. i am always amazed at the startling turns to honesty, great sense, absolute art and beauty ipk takes all the time. exhilarating. looking forward to episode 348. oh and that dance  and that chudail hunt, classic.

(wrote this on the main post of bftp thread #29.)


Wednesday, 14 December 2016

love is not a four-letter word



348. got to be one of my favourite ipk episodes. first time i saw it, i remember leaping into a post with "she did it, oh yes she did it..."



i was proud of khushi... terribly. for scaling a barrier she had placed on herself in deep consultation with social norms... she had not yet made that essential connection between love making and love.. not realised, it's a little beyond sex and marriage.



sex is a physical act... marriage is a human made institution.



love and love making come from our hearts, our inner chords, what's in us, not what's told to us. or imposed upon us. when you make love, you unite with your lover, submit to a feeling, flow with it and say, i believe, i trust, i love. 

sounds bizarre maybe, but to me the act of sex when shared between true lovers has always felt like more than just a physical act. though yes, it's all of sex too... the fun, the play, the physical craving, the tension, the yearning, the physical joy, everything.



i felt she made that connection at last. on the night of janmashtami, looking at radha krishna, thinking of pheres not done, she had hurt the man who loved her beyond himself... it became a question of sex, when and what's right.



tonight she took it with just a little help from a devoted man, a very aroused devoted man, to what it really was... love making. 

desire at its most beautiful.



i totally fell for the beginning of the episode. that corny, sexy dance. youthful, vibrant, speaking of desire in its own way. nothing shy or timid or unadult about it. a woman was out to tell a man, he was hers... no fooling around with chudails.



otherwise, cat fight and murder was on the cards.



he loved that open wanton wanting of hers... strangely it seemed to soothe him, filled him with joy, made him want to share what he had wanted to all along with her... 

her stars.



and then one thing led to another... she couldn't stay away this time. not even when he was willing to let her go.



one night before that forced remarriage of theirs (yes, if any marriage was forced in ipk, it was this one), before the social go ahead to "it", she stroked his cheek with loving hands and said, i know, i understand, i trust.



khushi's submission to me has major subtext. in a scenario where sex is almost treated as a big bad thing and even married couples are shown to abstain for all sorts of cooked up crazy reasons.



but the thing is... neither is marriage all about sex, nor is sex only about marriage. 

that inner element of this act... its emotion, its purity, its essence... episode 348 brings to light that. and makes it a part of their entire love story, right from that moment they met... and felt.



with grace, beauty, and absolute headiness. had no marriage taken place the next day... had no marriage ever taken place... even then it would be love making and the two of them, lovers. true ones. real ones. the kind television usually has no idea about.



 

 

 

 

 

 

 

 












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fanfiction







Wednesday, 7 December 2016

echoes from a love story 3




main wait karunga!
"i'll wait..."

kisska? humari dhadkan ka?
"for whom? my heartbeat?"

echoes from a love story.

 

a woman and a man and the moon and those stars



if he could he'd give me the moon and the stars, she had told her mother once. he decided she deserved to get some planets as well and of course the entire milky way.

he lay her by his side and told the stars to come and present themselves... there's my mother, he said, pointing with absolute certainly at a bright star, his finger moved till he found the one he looked for... and that is your mother.

she didn't ask him how he could be sure, nor did she say, but this is a mere illusion... instead she believed and wondered what their mothers must be talking about.

talk went to true love... but how could one be sure this indeed was true love?

every tear of hers, she softly said, she knows wounds his heart a thousand times.

he looked at her, a breath caught in his throat, his eyes telling her she has no idea how much, and in the simplest whisper he agreed, "har baar!"

yes, every time.

once, when he was far away, she thought he had called her... "ekbaar humey aise laga tha jaise aapne hume aawaz deethi..."

"deethi."


he had called.

one word, that was all. felt like he committed himself to something. to her. 

they had spoken to each across distance, they were indeed ajeeb.

but what happened next was not strange. it was beautiful... and every time i see the shot, my heart clutches tight then slowly releases. he switched off the star show by mistake. she reached across his chest to pick up the remote, and he held her hand, stopped it.

there was something in his eyes.

something he hadn't meant to ask.

yet, she understood.

in that long intimate moment, a marriage, a love, a maddeningly beautiful romance took a surging step forward.














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Thursday, 28 April 2016

essential pyaar







iss pyaar mein sahi aur galat ka koi matlab nahin... agar matlab hai toh sirf iss baat ka... ki main hamesha hamesha tumse...

   


in this love truth and lie have no meaning... if anything has meaning, it's only this, that i will always... always...













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Wednesday, 23 March 2016

echoes from a love story 2







kissi ko yeh jaanne ki zaroorat nahi hai ki jab hum akele hote hain hum kya karte hain...  
"no one need know what we do when we are just by ourselves..."

echoes from a love story

Wednesday, 16 March 2016

echoes from a love story 1





main batata hoon, aisa kyun hota hai.. jab tum mere paas hoti ho... 
"i'll tell you what happens... when you're close to me..."

echoes from a love story. 















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fanfiction





Tuesday, 15 March 2016

ana toh tha hi and a vm on love... harkat in your heart (vm)






"ana toh tha hi," asr said to khushi when at last he reached the wedding mandap. khushi had not doubted he would come. i wondered when he knew that he could never really turn away from khushi and when she became sure, he would be there, no matter what, hamesha.

perhaps it was the day he connected his heartbeat to her name... when he said "khushi" looking into a long dark window pane, eyes glittering, a frown characteristically in place. that moment on, was there ever a question of not coming to her?

he went to her home first thing in the morning, he solved her problem, he became a waiter for her, he flirted with her, he teased her, he said he understood her tears, he said he wanted to tell her something, and he flirted with her some more... he got interrupted, but in no time he was rushing back to her again.

and when he saw her in what he thought was an illicit embrace, he still couldn't not come to her, nor not drag her to him, make her his own. he came and caught her hand and took her to the poolside and said, "shadi karni hogi...mujhse." brutal yes, but there was no question of throwing her out of his life. he said for six months. he said you'll be my wife in name only, but he insisted that she had to stay with him, "mere saath, mere paas... mere ghar mein..."

he is arnav singh raizada, maybe he knew the legal implications of that arrangement. he knew maybe that if you have a wedding without the usual rituals but live together for six months at a stretch without anyone raising any objections, you are considered married even by law... no wonder he told his grandmother, where i come from, she is considered to be mrs khushi kumari gupta singh raizada, my patni.

and she... did she dream as she played with the bangles he gave her, that he will be there forever? or did her sixth sense know when he walked toward her unable to hold himself back and she didn't want him to, that he was here forever? how hard he tried to walk away from her that diwali night, and yet he came, raging and insulting but absolutely certain, he and no one else had to take her home.

people who make jalebi when they are upset have a strong utter sense of life, she just knew he would never ever not be there. khadoos, laad governor, rakshas he was. to torture him she would find many ways... but even if he called her characterless, she would want him to be there... hamesha... otherwise her saansey would stop. that simple.

i wondered what she must have felt when she heard his father's girl friend was her aunt. that the man who had lost all faith and found it back gazing at her stars with her, letting the moments spent with her melt away the darkness of his past, had lost his beloved maa because his father was in love with the woman she considered to be her mother.

but she knew, no matter what, he would come.
and of course he did.

and with him he brought every memory from the night of a girl crashing into a young man's arms. memories she held onto while all around her went crazy.

between them they shared a feeling... a feeling so strong, it could withstand the storm of nafrat, but more, it could happily bear every demand of mohabbat. till neither cared about only their own individual self and beliefs... till both broke the limits they had described for them selves and stepped out.

confident that the other will be there and that was all that mattered.

perhaps this is called love.

i was absolutely delighted with khushi when a night before the famous pheres, she told the man who had said wildly on a divine yell that what really had meaning, had matlab, was "that i love you dammit!" that she understood, that "humey bharosa hai... aap pe, aap ke pyaar par."

made this vm to totally get carried away by those moments. there are sound glitches, apparently imovie has this problem, but what the! i want to share this one... i hope you enjoy.



may there always be harkat in your heart.


 
would like to hugely thank gulzar, vishal bhardwaj and mohit chauhan for this intoxicating love song. i have been hearing this for a while and imagining arnav singh and khushi kumari feeling love, acting love, wanting love, giving plenty of it too. it's a rain time song... and the rain cascaded on that screen... got me, might get you too. 
 


a translation of the lines i used:


thode bheege bheege se, thode nam hain hum

just a little soaked, a little drenched am i 

kal se soye woye bhi to kam hain hum

haven't slept much since yesterday

thode bheege bheege se, thode nam hain hum

just a little soaked, a little drenched am i

kal se soye woye bhi to kam hain hum

haven't slept much since yesterday



dil ne kaisi harkat ki hai

what a thing my heart's gone and done
 

(i love that word harkat... it means to act or an act in its noun usage, to behave in a way, often used to admonish someone's actions, or say something a little caustic about it.)

pehli baar mohabbat ki hai

fallen in love for the first time
aakhri baar mohabbat ki hai

fallen in love for the last time
 
aankhein doobi doobi si surmai madhyam

eyes are drowning in light surmai

jheelein paani paani hain bas tum aur hum

the lake overflows with water, only you and i exist



baat badi hairat ki hai
a 
very surprising (confounding) thing is this
 
pehli baar mohabbat ki hai

i've fallen in love for the first time
aakhri baar mohabbat ki hai

i've fallen in love for the last time
 
khawaab ke bojh se kap kapaati hui halki palkein teri

your light eyelids quiver laden with the dreams
 
yaad aata hai sab

i remember everything

tujhe gud gudana, saatana, yun hi sote huye

tickling you, bothering you, while sleeping just like this

thode bheege bheege se, thode nam hain hum

just a little soaked, a little drenched am i

kal se soye woye bhi to kam hain hum

haven't slept much since yesterday

thode bheege bheege se, thode nam hain hum

just a little soaked, a little drenched am i

kal se soye woye bhi to kam hain hum

haven't slept much since yesterday



dil ne kaisi harkat ki hai

what a thing my heart's gone and done

pehli baar mohabbat ki hai
fallen in love for the first time
aakhri baar mohabbat ki hai
fallen in love for the last time

episode 348 the namak of love




agar aisa hua toh hum bhi arnav ji ko nahin chhorenge...

if that happens, i'm not going to spare (leave) arnav ji.

of course, should the man you have vowed not to "chhoro" say in a crisp voice pointing at a star in your private planetarium,
"dekho... woh meri maa hai," look, that's my mother... you'll pause a bit. he never used  to believe in stars you might think and the wonder of it fill your heart as yo look up at the gleaming object on the ceiling.

then should he say, "aur usske bilkul saath, tumhari..." and right close to that, yours... you'll feel a strange deep comfort in your being and turn and throw your arm around him, cuddling up, head on his heart, right there on the floor on that white spread and settle down to asking what only you could ask at this moment.

"aap koh kya lagta hai, kya baatein kar rahe honge?"
what do you think, what are they talking about.

talking, baatein.

i laughed as i heard that question asked in a soft happy curious voice. that was khushi, and so spontaneously so.

of course, stars must not only be your loved ones departed, they must also talk... communicate. after all without "baatein" how can anyone live, even if they're heavenly bodies, right? and naturally, the most uncommunicative person on earth must be asked to think about what those stars are saying to each other.

thing is, he didn't freak out, he held her closer and she answered her own question (not unusual). they must be happy because their kids have found sachcha pyaar, she said. true love.

at this point, you think there might be a heartbreaking slanting smile... instead, a serious question came from the man in smart casuals who looks almost preppy, and yet chilli pepper hot:

"
tumhe kaise pata chala ki yeh sachcha pyaar hai?"
how do you know this is true love?

maybe because he was never happy with cliched ideas... he needed always to know things in a way he could make sense of... or because he just knew this was the truest feeling he had ever felt but wondered how she could tell... what made it true for her... just as she'd asked a question only she could, he asked one only he would.

rational examiner and extra rational believer, they had to meet, there had to be...

 


lying beside him our madam in her scintillating black chiffon and glinting silver and diamond jewellery with hot pink nails and glistening lips, dressed to dance and vamp him as per the punishment for breaking up his bachelor party, said, of course she knew, because every tear of hers hurt him a thousand times...

he replied, looking into her trusting hazel eyes... every time. har baar.

true love.

an episode so immersed in it, every moment touched and connected and stayed.

she had come to give him hell of course. having found out a little too late that nanhe ji's kauon ka jalsa and arnav ji's bachelor's party were not exactly an antakshari playing zone with plenty golgappe.

when payal finally got through to her and the vision of chudail came skittering in one dizzy moment, khushi rushed over to claim her man, no question of chhoroing him if he's dared to have "those" sort of girls at the party. none of the soft gentle khushi ji here. while i giggled madly at the ridiculously drunk nk and akash, and the hissing and hauling by payal and thought, really these guys should do a "friends" like show together, khushi got busy snarling and yelling for her man.

poor nk. did you see his horror at the new avatar of his lovely innocent friend...

at last she saw her arnav ji and his chudail... a telltale silhouette on the window.

she went ballistic and whirled into the room. arnav ji however was chilling on the bed, huh? he was surprised apparently...

 
"khushi? tum yahan kya kar rahi ho?"
khushi? what are you doing here?

did she even look at him once? no. she was checking under the bed, here there, every corner...

"kahan hai wo? kahan hai wo chudail?"
where is she, hollered kkgsr, where is that banshee (okay nothing sounds as good as chudail...)

"excuse me? kaun?"
excuse me? he was taken aback, who?

"hatiye! aap chup rahiye..."
move! snapped the sweet girl, you shut up!

see this is true love and it must say what it must, samjhi tum. i guffawed at her state. i bet her lover boy wished he could too. she was funny.

he brought out chudail from behind the counter, her hair as false as khushi's but alas also her heart, and pair haath kandhe... everything. it was a mannequin.

i can imagine khushi's tension and her relief. while the note of this part of episode was comedy, within it you could feel the truth of emotions. it's a horrid feeling isn't it when you think the man you love is anywhere even remotely near another woman... of the chudail kind i mean.



he had to ask her something though,

"khushi, tumhe sach mein lagta hai ki main aisa kar sakta hoon?"
khushi, do you really think i can do something like that?

he needed, it seemed, to know how she really viewed him. it mattered clearly.

"n..nahin..."
no, she stuttered.

it was her fear, the fear of a lover. that was all. i thought of the fear that must have caught him in its death grip when he saw her with shyam that night.

did he really think she could do that? of course not... but he was a lover, and the fear of losing, of not being loved perhaps stalks a true one.

he teased her. he'd been salman for her, said the towel dancer, and now that she has spoiled his party, "sazaa toh milegi!" you'll get punishment. he whispered the penalty in her ear.

she burst out, "n..nahin... hum nahin kar sakte!" no! i can't do that.

oh but she did.

in chiffon and black too.

with skimpy blouse and lots of bare ivory skin, a thin shimmering chain around her svelte waist, highlighting her navel. she had dressed up for the kaua all right.


 

when the black figure appeared at the doorway and asr sat up, a bemused look in his eyes, and a definite feeling of creatures of the night in the frame, i was intrigued. what was going on?



then the figure moved, it was khushi. she sat on the floor, took her position, and lifted her veil... a sultry song began to drench the scene. the girl in the colour of night stood up and began to shimmy forward... and tripped.

the dumbstruck bachelor party boy leapt up and held her to steady her.


 

then came one of the most funny, sexy, gorgeous dance sequences i have ever seen. she was the innocent trying to be sensual, she was filmi enough to want to get it right and yet not adept at exactly this level of raunchiness (oh it was that). and he was amused and slightly shocked, totally tender though... enjoying it and yet kind of falling apart laughing... pretending he wanted to get away, oh but did he.


 

together they had a zing that only they have. how can anything this bizarre be so so arousing... and at the same time utterly sweet too. you could feel the heat in both of them rise, though the laughter tried hard to maintain sanity.


 

namak issq ka. the salt of love... no, true love... this was that and
said with an earthy accent too. i thought sanaya was spectacular in this dance. the shading of emotions, corny touched with happy and innocent and just plain sensual. a girl so in love, a girl who wants to do things she never thought she'd want to, a girl who wants to show her man how much he means to her even if she is embarrassed as hell and is trying to not feel the obvious sensuality of the song she dances to. and yes, sanka devi, who every once in a way gets totally carried away with her moves.



i had wanted la to leap out of a cake at this party, khushi stole out of the dark and took the night on a breathless trip instead.



no wonder arnav ji was in such a state. did he ever think such a torrent of craziness would waylay him one day and turn his world upside down.


 
 

i can't imagine any other jodi giving this dance all that sanaya and barun did. maybe shashi kapoor and rakhee could have taken it to a point, but there's a fun in these two, as also an elegance, and an unbridled innocence, a swiftness and a stay... don't think i've seen it anywhere else.

how did they turn what should have been just corny to chaotically lovely.

finally they tumbled onto the bed, and she held his face in her hands, looking up at him...


 
 


"kya karne aayi thi yahan?
why did you come here, he asked softly.

"aapko yeh batane aayi thi ki aappar sirf hamara huq hai!"
i came to tell you, that only i have a right over you! she was not shy.

"aur agar koi chudail aapke paas aayi to hum usse..."
and if that banshee comes near you, then, i'll...

"usse kya? kya karogi tum?"
you'll what? what will you do? asked the man laughing, wanting to feel her possessiveness, wanting to belong to her.

"usse jaake maar dalenge... lekin usse pehle usske baal noch lenge..."
i'll go and kill her, said khushi without any hesitation... then bared her cat fight fangs, before that
she would go pull out her hair. a curiously telling conversation. she had come to tell him at last... he was hers. she had huq on him. at last, what he had wanted her to feel she did feel completely... enough to say it out loud.

chudails have their uses. he was clearly thrilled at being owned by this pagal.

they smiled at each other... a private moment, of pure owning perhaps.

"tumhe kuch dikhana hai..." want to show you something, he said, and led her to the room where he had set up some stars moon and planets for her.

she was perplexed, apprehensive even. what was he up to.

and then she began to understand.

when he said, "mujhe laga ki tumhe jab bhi apni amma babu ji ki yaad aayegi toh..." i though when you miss your parents you can...

i thought of commitment, love, and his plan to make her part of his life as he had promised long back when he had hurt her terribly... "zindagi ka hissa" i think he had said.

they lay in each other's arms, a little aroused, but more really feeling a mad absolute tenderness, a peace. a little time away from everything, all the noise and observances of the days gone by, just by themselves, chatting, saying things, loving.

"aapko pata hai ekbaar hume aise laga tha jaise aapne hume awaz deethi!" she mentioned his kidnap, anguish in her voice, she had thought one day, he had called out to her.

"deethi."
he had, he said.

the stars connected them to that intense absolute emotion they had that made them so "ajeeb" they spoke across distances. i liked the use of stars as an integral part of story telling, again that elegant design of ipk, where nothing was there for no reason. star talk could have easily become a devise to establish khushi's cuteness, her optimism in a syrupy sort of way... but here, the stars wrap around the love story, a part of it. as he pointed up to a star, i was reminded of the day she had soothed his aching heart and shown him those stars in the sky, her amma and babu ji and he had asked surprising even perhaps himself, can my mother see me? does she like what she sees? this scene was a mirror in a way of that scene. their story of love going forward through familiar routes.

"hum dono..."
the two of us... said one

"kitne ajeeb hain..."
are so strange finished the other.

then the stars played a trick. they went off. and she reached out to find the remote... when he stopped her hand.

in an instant, everything changed. into the evening came a longing, a desire, that no one had planned for... perhaps that's why it was so sweet... it had to be fulfilled.

i must give a salaam to the writer, director, and actors for crafting that moment. it was so natural... man woman. in it an innate attraction, a thing between two people that only they feel and they understand. sex is such a general and amorphous term. but really, when two people want each other, sense each other, want to make love to each other, there is something specific to it. every love story and its love making is unique i think.



that moment when she reached and he stopped her and something ignited could have only come to their lives in that way at that moment. there's thankfully, no  heavy handed setting up of story to reach here... it flows naturally from all that has been happening for a while... even that forced separation, he longs to hold her hand and sleep by her, he yearns for her. then there's all that excitement of chudail releasing many things in her... of course the namak dance that leaves the dampness of issk on the skin...

and there's true love.

when he stops himself and says in that killingly decent way, sorry, i know you don't like all this before shadi... she perhaps by then has felt the call of sachcha pyaar in her heart... understood what he was doing even that suhag raat night when she had reacted without understanding some things.

marriage is not just about pheres. and it is certainly not a licence to have sex. that reduces the beauty of both. as she looked at the man who loved her without inhibition, without reservation, and who felt her pain, her dard, every time, she knew what she must do. she leaned forward and held his face and looked him in the eye and said, i understand, i trust you.

trust... the night he told her of his mother's suicide i felt he did it because he  not only loved her, he completely trusted her. for some reason, tonight she felt she had that trust that confidence in him, in his love, in their relationship, to let him go ahead and make love to her.

the first time i had seen this episodes, i'd jumped up in glee and said, she did it, by g she did it... yeah, i was totally upset with khushi's rejection of asr in 318... my problem was not that she said "no" but the manner in which she said it and the reasons she gave.



tonight she grew to another level as she let that need for ritual go and submitted to perhaps one of the highest things human beings encounter... sachcha pyaar.
 


what followed was intoxicating, exhilarating and have i ever seen such a sensuous and elegant execution of love making anywhere. forum always called this consummation, the word reminds me of georgette heyer and the regency and victorian eras. this was saansey ruk jaygi love making of the most beautiful kind.

consumed the viewer it did though.

i am aware that a lot was edited, i can also see that the editors were not too particular about continuity. one minute khushi's arm is bare but for mehendi and his kiss is landing on it, next minute its full of bangles. i was particularly nahiiin about the doubles used in the close up where he takes off a bangle. at one point i even wondered if that fair back in the long shots was it indeed sanaya's... okay all of this wondering made for many repeated viewings and consuming of viewer. 

 


but really, the story barun and sanaya told with every move, act and expression was hypnotic, flawless, and really love should be like that. and your first time together that blessed and innocent and full of pure fire.
 


her body had an ease and an eagerness, his a wonder and a restraint, she kissed him tenderly leaving lipstick stains on his cheeks, his lids, he watched her mesmerised, losing himself in her giving. when he took it to the next caress, taking off her jewellery, kissing the inner side of her arm, where the skin was soft and sensitive and her pulse beat nearby, she watched him her eyes lost in feelings she had never felt before.


 

and when he burying his face in her neck, perhaps kissing her there (i know i know they edited out everything) she was taken aback by her own surge of desire, she had to turn away, losing control slowly, only to return and fling herself against him... he let his hand move up her back to the dori... the one he had snapped mercilessly once, that first time. today, he wanted to untie it again and take her, make her his own.

echoes from all that has been them kept coming and going, making the frame richer, the experience deeper.

 

he knew he had come to a brink, he had to stop... if she.. "khushi, main..." he said trying to tell her that, but she was ready this time... "hum jaante hain," she said clearly... i know.



and at last he moved forward to kiss her on her lips and covered her with his body... his lover, his wife.

a lyrical quality to the entire interlude. like poetry flowing.



indian tv has never seen such an execution of intimacy... even the movies haven't. but more striking for me was the mindset being explored, the thought expressed here. about feelings about the actions led off these, about what's right what's not... about going beyond ritual... har baar.

a true love story is this... sachcha is its namak.


"hum samajhte hain.. hume bharossa hai."
i understand... i have confidence.

"khushi, mujhse vaada karo, ... ki mujhe kabhi chhorkar nahin jaogi... main tumhare bina nahin jee paoonga..."

khushi, promise me that you'll never leave me and go away... i won't be able to live without you.






...........................


aside 


~ by the way, who did the decor of the farmhouse? perhaps mami... her colours everywhere, purple satin on the bed? this has got to be the deadly manorama raizada. 

~ everyone talked about the fish the next day... i hadn't even noticed them. 

~ "okay relax... there's no pressure." how does barun sobti manage to give palpitations with such everyday words. loved the there's no pressure hahaha, asr was being demanding again clearly...







...........................



sigh, the frown makes an entry in this crucial scene.