Wednesday, 10 June 2020

writing a character and how not to lose it



chatting on india forums, sometime in 2014, a dear friend wrote the following in italics. i replied, you can see that below the italicised text. today, i read it by chance. iss pyaar ko made us not just feel, but think... perhaps that's why, it'll always remain significant. or as kk would say, hamesha. or as asr would say, what rubbish.


Some of us were utterly disappointed at how Khushi's character was reduced post the hate marriage. But I don't think its the male writers who have done injustice to this female character as it was females who were at the helm deciding for this show, be it the producer herself or importantly the Star Plus creative head who decides the content of every episode for a show (the one who thought ASR can be killed/ changed just like they could do with some other shows!). The regression of the female lead started much earlier than that where in post Diwali, the girl who once retorted by the pool side while she lost her payal, "Had I known, I would die but wouldn't have come to your place", bravo girl, went amiss! Post Shyam revelation, where she was denied of love by one and was coerced to get engaged to another only to realize him to be a lecher, neither her love importantly nor her pain was highlighted. Except for a couple of sequences post the so called Hate marriage, there wasn't any focus on her turmoil. Everything was left for one's interpretation.  This love story has been about the male protagonist from Day 1 and always meandered the way the he wanted, whether his struggle, denial, guilt, acknowledgement! 

As said in Geeta, "Swadharme nidhanam shreyah, paradharmo bhayavahah" (Better is one's own duty though devoid of merit than that of another well discharged). Isn't that what exactly seem to be the difference between ASR's and Khushi's actions, swadharma of the former and Paradharma of the latter??


This wouldn't necessarily make ASR right, the way he executed it.  Even if he were to ask and believe Khushi, having truly seen Shyam's madness for Khushi (pagalpan, junoon as Shyam said) in order to bear with him for the next 6 months, marrying Khushi would have been the only option, perhaps at her consent but not necessarily family's. But for him, the pain of the knowledge that her mother like sister's trust and marriage was in shambles would still remain! 


...................................................................


horizon,

well said about the women who were in charge. and i do agree the story is primarily about the male protagonist. that in itself doesn't bother me... it is the bent of the tale, its reason for existence.

where i find a sad lack of responsibility in writing is in the way characters, especially the female lead, have been treated at will. yes, that started way back, not here.

no matter who is your protagonist, when you create characters you have to be true to them... if you are a writer with any integrity that is. to completely ditch the female lead's character, to make her into a meaningless muddle... that i thought was not done... of course, you will manipulate characters, even the main lead, but the task is not to lose them, however hard that might be... that is the  challenge of creative writing...

here i did feel khushi was treated in a most cavalier fashion... made into a caricature when it suited them, and then suddenly achchi bahu bharatiya nari... anything... along the way she was gone. whoever the writer was... the one who executes the words and story... messed up. i did feel a male indifference to a woman's mind here. centuries of patriarchy and seeing men as natural leaders... karta... has its impact on minds, male or female. gul, gautam hegde, ved raj, hitesh kevaliya, whoever started letting khushi become less, was wrong.

when one sees the final scenes of othello, desdemona still feels real... not just othello. many stories are about one principle character, male or female (zee's astitwa did a pretty decent job of portraying a female protagonist but created a memorable male lead too)... but the other characters remain relevant... as they are... not just as a tool. a rather clumsy writer's tool at that.

i do feel writing was ultimately weak. bits of utter brilliance, but no real consistency or commitment of writers... more a show of "cleverness" from time to time... in the middle of it all some lovely lines... but tell me if sanaya and barun were not saying them, would we be swooning?

can't think of anyone else who could have made stuff that was kinda corny sound practically divine, like a life lesson.

loved the geeta quote... still trying to understand it.

but the oft said karmanye badhikaraste comes to mind... that went missing, too much concentration on the fruit of action.




n i s h a n a   e p i s o d e s

.........

Wednesday, 21 February 2018

episode 32 silence speaks



sometimes silence speaks more, much more than words. even though the words seem potent, loaded with meaning, they still don't quite achieve what some silences do. there were a lot of those silences in episode 32. khushi's wondering, slightly disturbed look as she clutched her jiji close. what was that? hadn't she just said, "jiji, girti hui imarat samhal li, kuch bhi samhal loongi"? i have managed a falling edifice, i'll manage anything.
    
               
"does not everything depend on our interpretation of the silence around us?"
~~~ lawrence durrell ~~~

 
or the one up there, where he looks into a story we can't see but we can feel his anguish about it, as though he doesn't want to listen. something to do with his mama and papa, he almost flinches at the words when di says she wished they were there for she can't handle all the anger flaring around anymore. his face hardens in an instant and his fist closes in a tight knot. the pain hits hard.



yet when he whips around to give his sister a harsh answer, he sees her face, its sadness and worry, he melts. a whole love story was written in just those swiftly changing expressions. i wish i could capture all of them and include here. his hands came and grasped hers tenderly, and he said the words just in case we hadn't understood, but we knew that all along, didn't we? "aap sab kuch ho, di. main aapki aankhon mein aansoon nahi dekh sakta." you are everything, di. i can't see tears i your eyes.


he will fight the whole world to bring back her happiness. (little does he know he will have to fight the most precious thing he's ever had to do just that.) she will make his kind of food to make him feel better. she knows he's feeling bad about too many things. what happened to khushi, what's happening with nani, their parents, everything, all she wants to do is make it ok for him. some soup might help? 

siblings love in funny unspoken ways, even when they are rivals, even when they aren't always good to each other. ipk had a particularly keen understanding of this. which is why, when anjali started to lie to chhotey i'd thought we'd see something very interesting. it could have been that. a glimpse of it in the miscarriage scene, where she finally believes as she looks into the eyes of her brother standing outside. again, silence.

a beautifully crafted episode that seemed to me to be about name, identity, pehchaan, and an awareness that is refusing to go, in fact making quite a place for itself. from bua ji's "wah nand kissore," to mami ji's warning of "cantrobhersial" food, everything felt smooth and was intensely expressive, almost as much as barun's face.



payal was picking up the unspoken cues of worry and uncertainly from khushi and reflecting it back. she was happy with khushi's decision to resign, but still... if only they hadn't come to delhi. khushi counters without thinking, "nahin, jiji, dilli itni bhi buri nahin hai, matlab agar hum dilli nahin aate toh... toh..." no, jiji, delhi isn't that bad either, if we hadn't come here, then... toh ham arnav ji se kaise miltey? then how would we have met arnav ji? is that what her heart wanted to say? we'll never know.


he'd had a bad night, then all that talk about marriage with nani, and her little pull a bride out of a hat trick, he strode into office in a foul mood. how a man can change the whole energy of a place by simply walking through it, i will never understand. the grim walk in with inert eyes, reminiscent of the mazar entry, and the long steps carrying him out with a simple pause at the sight of dm, said more than most things he said today. especially about that awareness. it intruded even when he was rushing to see his di who had fainted. how much of a statement is that?

as if that were not enough:

 
"usska ek naam hai!" 


she has a name.

just the day before he had used her name for the first time. once in reference, but twice directly, calling out to her, hoping she was there, alive, unhurt. then that wondering, "khushi..." as she let go on him. and today, he wanted her to be given the respect of being called by her name. why? he didn't care after all. all he wanted was for her to lose and go away. mera naam hai arnav singh raizada. my name is arnav singh raizada. the boy who'd rejected his father's name and taken his mother's proudly, knew the importance of a name. that it was identity. you mess with it, you are messing with the person's being. today he can't tolerate this disrespect for her.



somehow he was sensitized to her now. she mattered. maybe he was still worried about her. when he hears the giggling trio, something snaps in him. he lashes out. and lavanya's unthinking chamkili just pushes him over the edge. he gives pam and sim this appraising look when he walks in. did he see the completely opposite kkg in his mind as he looked at them? did he feel a little tired of this thick shallowness?


she walked in all prepared to resign. and just inside the ar door, she stopped. her hands tightened on the strap of her bag. she's tense, she's gathering her will and courage. in her eyes, something more again. then she remembers. one of the most timeless moments in ipk. he is reaching out, holding her hand, pulling her up and rushing out, he's turning back to look at her. oh just hold it there. what's in his eyes. she's succumbing... he's looking at her, jaw clenched. the memories bring involuntary words to her lips,"devi maiyya raksha karna." devi maiyya, save me. of course, just then he stops in his tracks to look at dm sitting pretty on her desk. a long pause, he is obviously thinking of her. they miss each other, never making contact. yet a funny communication, a connection through devi maiyya just now.



"we know what we are, but not what we may be."
~~~ william shakespeare ~~~

 
pehchaan is one of the main motifs of ipk. to be who you are, to know who you are, to discover yourself. an individualistic slant in all its characters. as iconoclastic as its main protagonist, ipk sought to break stereotypes, and make us look into the heart of things. the makers were trying to communicate something they considered important. which is why maybe we were often presented with a character in a certain way, only to find later they were not at all as we'd imagined them to be. there was the issue of well rounded, lifelike characters, but also the element of "revelation" of each one. who would have thought, mami was capable of so much love and loyalty.



or la, just look at her. did we ever think she would become one of the most memorable characters of ipk, a character like her has perhaps never been seen in indian tv or films.


this what you see is not what you get, i felt was always more than just clever writing. it was very much driven by content and core thought. someone was urging us to look beyond the surface. and what's more, was treating us like intelligent people, who could figure things out. which is why maybe all those carefully crafted silences, and beautiful expressions and body language, and other signs and symbols.

reflections. for days we've seen them, on windows, mirrors, water. now a clear look at image, it's meaning, and the need to see oneself clearly.

"lucknow se hain, iss liye darke bhage nahin...
balki khu
d batane aaye hain ki yeh naukri humare layak nahin...humaari parvarish toh aisi hai..
humey sikhaya ga
ya hai ki sahi kaam karo...
aur poore atma sanman ke saath karo..."



i am from lucknow, i don't get scared and run away...
instead i have come to tell you, this job is not suitable for me...
my upbringing is such, i have been taught to do what is right...
and do it with complete self respect.

so just like him, she has been taught the value of being and doing "sahi." his life has been stricken by "galat," and that's one thing he just doesn't want to be: galat. wrong.
 
"rehne dijiya, aapko batane ki koi faida nahin...atma sanman toh unka hota hai, jinki khudki koi pehchaan ho...aur aapka toh poora din inki nakal karne mein nikal jaata hai..."


let it be, no point in telling you...
self respect only those have who have their own identity...
and your entire day goes trying to imitate her...

she retorts when sim cuts in, 

"hum khud ko kuch nahin samajh rahe,
kyonki hum jaante hain ki hum kaun hain...
aur hum jo bhi hain usse khush hain...par aap kabhi aine mein dekhkar khud se poochiye,
ki aap khud ko peh
chanti hain bhi ya nahin...agar khud ko pehchan pati, yeh locket chhupakar nahin rakhti...aapke dil me jo hai usse chehre par laake dekhiye..."


i am not thinking myself to be anything, because i know who i am...
and whatever i am, i am happy with that.
but look in the mirror sometime and ask yourself,
whether you know yourself or not...
if you could recognise yourself, you wouldn't have hidden this locket...
what you are at heart, let it show... and see...

a brilliant set of terse lines that reflect her intense anger and personality, her belief in herself. in many ways she is the mirror image of the man she calls rakshas. and today, she is so riled by all the injustice that's come her way, she's calling off the game, and reasserting herself. khushi's journey of self discovery is as potent as asr's. this episode was telling in so many ways.

now we await the "cantrobhersial" thing. and please, may i have two nurses too, i faintiya gayi every time a certain someone walks in or out.







................

Sunday, 4 June 2017

that girl with the mojri


ridiculous to miss a serial so much, yet i just do. too long without this high.

she was lovely (we were chatting about khushi on the thread). i resisted watching ipk for months because i did not, could not believe a hindi serial could have anything of real excitement in it... i was not being a snob, till then no serial of these days had really appealed even those with decent stories.


i used to lie on my bed with my back to the tv while things carried on giving me a sense of india... i needed that after many years away... 


also i was resisting barun.


as hard as i could.


huh some silly boy, so what i get that funny feeling every time i see him... something about him says my mind... but really he's just a useless serial hero... who does he think he is... as you can tell maine bahut koshish ki...


i remember one afternoon i turned around and there on the screen was this crazy looking girl with tight choti, tight weird pompom infested churidar, bizarre colours, and mojri and jhola, talking 3456734 to the dozen, and i said uff another ridiculous serial heroine, how crazy looking is she, what's with the costume...


but i kept watching.


she was such a delight.


naturally truly strange. a real girl, with all sorts of thoughts and things, and a different turn of phrase, view of life.
in fact, in 80, just before the hot arm twisting, her speech on marriage... never have i ever heard such a beautiful defence of marriage, such a real heartfelt understanding... sanaya took her dialogues and made them real feelings of a young girl with innocence, strength, genuine cookiness, lots of guts and plenty happy jhalli. a character who became a person with her.



the loss of this girl hurts. yes the make up is heavier... an accent on prettifying... such a reducing of a genuinely funky person, her light lipstick, her tiny jhumkas matching, her teda choti, her khushi from within, as pagal par cute as her aankhen her baal, her (imagine break in voice) smile. above all, her mind and its crazy connections, its gentle sweet faith in life, its light flowing touch that healed, its refusal to take it lying down, so ingrained that when it showed it felt normal, not like some writers had written her character.

(the other day, my husband noticed a scene from another serial by chance while i surfed, he said, oh they are trying to make her do a khushi... this is a man who did not watch ipk... just a few early episodes and yes the august 1 fight.)
post the decision to marry again, the look went even more strange. her dialogues became duller, she had true sanka, not shrill voiced ott, who forgot that?


but we shall always have the khushi we love right up to the wedding... dm is much thanked for that.








Monday, 22 May 2017

about a show and that name



"to thine ownself be true, and it must follow, as the night the day..." polonius to laertes, act 1 scene 3, hamlet. read that in grade 7 it was i think, quoted above a short story. got stuck in my head. it's really about that when it comes to a television show i fell in love with a while ago and which changed my life, took me all the way to writing. i can tell you that is no mean destination.

iss pyaar ko is many things to many people, and each relationship is valid, unique, true. for me, there is only one ipk, only one asr, one kkg, one raanisahiba, one nani ji, one mami ji (sigh, my hello hi bye bye), one lakshmi ji... and one jodi that makes me sit up and watch television in the middle of the night. this will not change. you can name anything anything... names can be repeated, reused, recycled, emotions really can't, those given are given, those felt are felt. those owned are forever yours, yes i am talking of hamesha.

i wish the new show well, mainly because i will always wish barun well. it's quite clear the show could have been named something else, but it wasn't. maybe people have issues to work out, maybe it's the right thing to do. i wouldn't know.

i will most likely not be watching the show. gul khan's shows are anyway not targeted at me. i found tanhaiyan tiring and flat. but i can understand why it's loved by many. it was funny, a journalist friend of mine who had told me barun was a terrible actor and so wooden in iss pyaar ko, said, oh barun was so good in tanhaiyan, seems like he's at last found himself. i thought i'd argue at length, then, just winked to myself and resigned the duel. barun after all, he'll get you at some point. teehee.

i hope all of you who are watching have a great time. and i'll be loopily staring at my one and only khadoos and jhalli and gang, just being true to my pagal self.

ps: a tv show that makes you remember shakespeare, iss pyaar ko...

my facebook post on 23 may 2017, as the controversy around ipkknd 3 raged. fans upset with the name and sanaya not being part of the show. gul khan abusing fans on instagram, star plus of course, impervious to it all. what else can be expected of a channel anyway. interesting to see how social media and this idea of interactive is affecting things; you may not wish to hear what fans have to say, you may just wish to manipulate people via this digital space as you have before in non-interactive scenarios, but it may not be quite as simple as you think. it was thanks to this space and our sustained resistance to asr being killed off or replaced, back in 2012, that star plus was forced to close the show. give fans the happy ending they kept calling and asking for. will be watching keenly to see what happens this time. i am intrigued by the involvement with a show from all over the world, there are indonesian and turkish and american fans protesting. five years after a show is over, it's still clearly not over.















Wednesday, 30 September 2015

about kkg







(part of a chat on india forums)

she was lovely. i resisted watching ipk for months because i did not, could not believe a hindi serial could have anything of real excitement in it... i was not being a snob, till then no serial of these days had really appealed even those with decent stories.

i used to lie on my bed with my back to the tv while things carried on giving me a sense of india... i needed that after many years away...

also i was resisting barun.

as hard as i could.

huh some silly boy, so what i get that funny feeling every time i see him... something about him says my mind... but really he's just a useless serial hero... who does he think he is... as you can tell maine bahut koshish ki... sigh.

i remember one afternoon i turned around and there on the screen was this crazy looking girl with tight choti, tight weird pompom infested churidar, bizarre colours, and mojri and jhola, talking 3456734 to the dozen, and i said uff another ridiculous serial heroine, how crazy looking is she, what's with the costume...

but i kept watching.

she was such a delight.




naturally truly strange. a real girl, with all sorts of thoughts and things, and a different turn of phrase, view of life.

in fact, in 80, just before the hot arm twisting, her speech on marriage... never have i ever heard such a beautiful defence of marriage, such a real heartfelt understanding... sanaya took her dialogues and made them real feelings of a young girl with innocence, strength, genuine cookiness, lots of guts and plenty happy jhalli. a character who became a person with her.





the loss of this girl hurts. yes the make up is heavier... an accent on prettifying... such a reducing of a genuinely funky person, her light lipstick, her tiny jhumkas matching, her teda choti, her khushi from within, as pagal par cute as her aankhen, her baal, her (imagine break in voice) smile. above all, her mind and its crazy connections, its gentle sweet faith in life, its light flowing touch that healed, its refusal to take it lying down, so ingrained that when it showed it felt normal, not like some writers had written her character. (the other day, my husband noticed a scene from another serial by chance while i surfed, he said, oh they are trying to make her do a khushi... this is a man who did not watch ipk... just a few early episodes and yes the august 1 fight.)

post the decision to marry again, the look went even more strange. her dialogues became duller, she had true sanka, not shrill voiced ott, who forgot that.

but we shall always have the khushi we love right up to the wedding... dm is much thanked for that. 






Wednesday, 22 July 2015

without you: chapter 5


jibon jokhon shukaye jaay koruna dharay esho
when life is parched and dry / come to me in streams of compassion
shokol madhuri lukaay jaay geet shudharoshe esho
when all beauty and grace is hidden / come to me in the sweetness of song

 
~~~ rabindranath tagore, an approximate translation~~~



the darkness had a way of slipping around his heart.

that's how it had been ever since he could remember, a familiar black blanket of not seeing, not feeling, what couldn't be soothed away could certainly be shut out.

he looked at his face in the mirror, a cursory glance, ah maybe a little hair cut. must get aman to call dan for an appointment the moment they got back to delhi, he thought. the white linen shirt was crisp and light just the way he liked it. he reached for a dark brown tie. not too wide. charvet. he enjoyed the fastidious finish of their ties, and no matter what the season dictated, for him it was always a slim one, with a single knot.

the silk felt cool against his fingers, and the knot came on perfect, first shot. asr smiled. there was always something neat about getting a knot right in one try. he admired his handiwork for a moment. not everything in life was like that though.

like that night. that night he could have done something surely. something. even as he thought, a kid was running down the long corridors of his mind, labyrinthine corridors, that led from thought to thought then took twists and turns and left you in a place with nothing in front, you turned back but the way was gone... you were lost, alone. no way out.

the boy's breathing was frantic, rushed, his heart beat had risen to an almost deafening level. felt like it would burst.

what was that noise? was it his heart? it was a gunshot. no.

his breath grazed against his throat and struggled out as he remembered.

there were two. two gunshots. maaa.

he closed his eyes. and the darkness did its trick.

his breathing had become laboured but as numbness came, so did the calmer deep breath.

he came back to the day and shrugged on the charcoal brown waist coat with a nonchalant air. as he buttoned it, op walked in with a glass of orange juice. bit of a character, the youngest member of the raizada household staff, in charge of all odd jobs. op or om prakash sharma; diminutive, amiable, happy to serve. many of his cousins worked with him in shantivan, his uncle, ram prakash, used to be chief cook at the raizada's ancestral home in lucknow. thanks to their employers' generosity and genuine concern, the sharma family had managed to set up for itself a nice establishment in their village in etawah. there was land, a proper well constructed home, and money to educate the kids. interestingly, because of arnav singh raizada's insistence, all the girls were sent to school too, and college if they wished to. of course, they were not given a choice in this matter. asr had simply given orders. if they were flouted, all sharmas would be out on their ear, without a job.

when asr traveled within india, he liked to have op accompany him, especially if di was around. she needed help with things and op was always meticulously caring of her. for just this one thing, asr was willing to put up with op's many questions and decidedly attention seeking behaviour.

this morning too he had his little prattle ready.

"chhotey saab," from the tone asr knew something was coming.

"what?" op seemed to feel comforted by the usual brusqueness.

"i was saying, but of course, only if anjali ji is not feeling too tired, maybe it would be nice if..."

"op!" he'd had enough of the meandering sentence never reaching the end.

"bhoolbhulaiya, chhotey saab... can we go there? nani ji told me it's..."

"op. stop. if di is ok with it, you go. i'll drop you... now stop bothering me... jao!!"

(go!!)

op turned around pleased with his success, maybe even that bark from chhotey saab. his eyes fell on something pink and shiny on the coffee table. he picked it up muttering, "lagta hai anjali ji ne..." maybe anjali had left it here. he knew asr's aversion to untidiness and hurried to take it to anjali's room.

(looks like anjali ji...)

"op."

as he looked at asr, thinking he needed something, asr nodded toward the pink thing in op's hand and said,

"leave it there," and turned, picked up his light summer jacket, left the room. leaving a rather puzzled op, fuchsia plastic purse in hand.


***


"khushi ji... yeh raha shakkar..." op walked into the kitchen with the sugar and saw khushi standing staring at the cooking range, a ladle in hand.

(khushi ji, here's the sugar...)

"khushi ji, the oil is hot already," he cautioned, there was smoke in the air.

khushi started.

what was she doing here? in the kitchen?

then she remembered, she was here to make jalebis. suddenly it hurt terribly... tears welled up. how long, how long would this go on? it had been twelve days. twelve days of nonstop talking to her arnav, staying calm, being chirpy, keeping her spirits up, thinking only of good things, playing happy composed and upbeat with nani ji, di, jiji, everyone. and sitting before devi maiyya, praying, pleading with her to bring her husband, the man who meant everything to her, back. alive, beautiful, strong, eyes glinting, sharp mind, warm heart, making her smile, making her safe, loving her... oh how much longer.

she threw down the ladle and ran out of the kitchen tears streaming down her face. op stood sad and downcast... chhotey saab...

in the bedroom, she rushed to his wardrobe, wanting something, anything of his in her hands, close to her, she wanted to feel him, breathe him in, touch his skin, stroke his hair, no no don't stand there, she wanted to shout out, that bus that bus...

she rifled through his clothes and pulled out a jersey tee. not this... white shirt, she wanted one of his white shirts. linen. there it was. she took it out with shaking hands and pressed it to her heart, nuzzling her face against it. "arnav ji."

she stayed like that for a few minutes.

when she lifted her head, her eyes fell on it. it was lying on the floor, must have fallen when she pulled out that tee. it was so bright and pink. the memories rushed. running down corridors. a sparkling blue swimming pool, strong arms, angry eyes, her little pink purse. that night. how? he'd found it. he'd kept it. from that first time they met. he'd never told her. just kept it with his things. he'd said to her once that every time he saw tears in her eyes, it had touched him, cut him, hurt him. that morning she had tears in her eyes... and he'd kept her purse.

she couldn't breathe.

she picked up her bag and left the house as she was. in her blue churidar kameez with golden glittery gota and pompoms, her mojris slipping off her feet, her slightly askew plait. he called it her "asli kkgsr" look. had even threatened to start a fashion line and brand it. he was sure a market could be found, among slightly lunatic women. she'd thrown a book at him, he'd avoided it adroitly, swung her up in his arms and dropped her with fanfare before lakshmi ji, with a grand "ladies and gentleman, i give you asli kkg singh raizada."

tears blinded her. she walked briskly down the road. where would she go, maybe the mandir? the sun was high, today nani ji, mami ji and di had gone to see him, insisting that she rest a bit.

she found herself at a bus stop, and there was a bus coming to a halt. it was blue and white and metal... her stomach tightened, her breath caught. the bus was exactly like the one that had come out of nowhere and driven right into him. she wanted to run away again.

then she remembered him telling her how hard he wanted to run from a night, but never could. and when he found her, he decided he no longer needed to flee... he would walk in slowly and look at that terrible thing. she stepped into the bus and found a seat at the back. the bus started. she lay her head back against the seat and closed her eyes...

bin tere bin tere bin tere
koi khalish hai hawaaon mein bin tere

her heart seemed to clench at the words. who played the song here? one of her favourites, oh asr had really not liked the movie. his eyes had brightened at the name, "i hate luv storys," but alas it was a sweet story of young love, and khushi had watched in glee, tears and giggles at all the right places. he'd watched her. and slipped his hand into hers, then held her hand really tight. she was glad it wasn't a movie with salman ji because she just couldn't concentrate after that.

without you... without you... there's a khalish, an emptiness all around...  without you... a wide open expanse of empty... just vacuum... nothing there nothing

she saw two young girls in a seat a couple of rows away, looking at their phone, watching the video. she wanted to put her head down and cry, but she forced herself to shake the feeling off and turned toward the window.

he was sitting at the window seat. right next to her. she stared. he looked handsome, fresh, his stubble just right, white shirt, brown waistcoat, dark brown tie, tawny eyes... a little smile in them.

"hi," husky whisper with a grin in it... a little bit of flirt.

"h... hi" she had to reply.

"khushi," he reached out and put his arm across her shoulder, pulling her close to him. she had to touch him, her hands found their way to his face, she forgot she was in a bus full of people, she stroked his cheek, let her hand linger on his high cheek bone, then felt the scar on his eyelid. one... two... three... the ridges. he was here. he was with her. there was no emptiness any longer.

"you really shouldn't ride a bike you know... aap bahut tez chalate hain," she so wanted to say something normal, everyday to him. the scar reminded her of his love for his bike and speeding down wide highways.


(you drive too fast.)

he held her in his arms and sat looking at her. "khushi, where are you going?"

"i do... don't know...maybe the mandir?"

"aren't you tired?"

"n... no" her eyes felt so heavy.

"come," he said and made her lay her head on his shoulder and ran a hand over her eyes, shutting them.

khushi stayed there for a while. not speaking, not moving, just feeling him with her.

it had been more than two weeks since the accident. she hadn't been with him it felt as if for a lifetime.

she opened her eyes and said, "arnav ji, main aap ke begair jee nahin paaongi," i won't be able to live without you. she'd never said this before, though she'd felt it for a long long time. he held her hand and then lifted it up to kiss the inside of her palm. "you won't have to... i promise," his lips were warm against her palm, his stubble scratchy, she wanted to cry.

"ghar chalein?" he asked, a little wickedness in his eyes. he could see she was reaching a funny place... well not so funny if you're on the road. she hadn't felt him for so long, she wanted to have him with her, his arms around her, his hand on her skin... she needed him so much.

(shall we go home?)

the bus stopped, she got up to leave, he followed, and when the crowd got thick at the door, he shielded her with a stretched arm and put himself between her and the groping hands, the inquisitive eyes, the sickening leers, and helped her alight.

the song was still playing in her mind when she looked up and found he wasn't there. surprisingly, it felt alright even then. she was calm, happy. she even smiled at the thought of arnav singh raizada, hot shot tycoon, dapper and suave, in a public bus. then her mirth increased at how he he was holding her in front of everybody and kissing her palm. laad governor always.

she hailed a cab. a gust of wind as she got in. and a tune she had in her memory but she could never tell from where... hmm hmm hmm rabba ve...

***

nani ji told chhotey she was very worried about khushi. bitiya hadn't slept properly in days. she didn't know what devi maiyya had in mind, but she trusted her chhotey, she knew he was brave. he was always brave, he had himmat, he would fight back and come out of this coma. she stroked her grandson's hair with great love and blessed him. at last there was happiness in his life, he couldn't go away now. nani ji had seen a lot in life, suffered but borne it all with courage and a determined stoicism. her grandson was not in a good place but she had faith, she'd managed to pull herself away from the despondence she'd felt when she got the news. 

that evening doctor verma heard, the patient seemed to show improvement for a long span of time in the afternoon. he felt it was important to let the family know and called their home. he spoke to anjali raizada as mrs raizada was sleeping. anjali raizada thanked doctor verma profusely. somehow he felt good to hear that tinge of happiness in her voice. he put it down to a professional's satisfaction at the positive effect of a job done with sincerity and passion.

***

asr dropped di and op off at the bhoolbhulaiya, akash had also wanted to tag along. he was pleased, since when di went out and especially when jeeja ji was not around, he preferred to have as many people with her as possible. left to him, he'd hire a posse of body guards for her, but di was too independent and refused to let him go overboard in any way. yet how could he not worry about her?

he reversed his suv to turn out of the parking area, and felt an impact. he'd hit something at the back. or something had dashed into him. irritated, he was in a rush, he swung out of the car to check what the cause of this annoyance was. and there she stood.

rather, sat indignant on a scooter, trying to keep her balance, feet on either side planted on the road.

glaring at him.

he narrowed his eyes in disbelief, her mouth was stuffed with something, and there was... what was it, chane, yes chane, kernels of gram lying all over. on the scooter, on her clothes, what was that hideous round furry thing dangling from her sleeves?!! there was chana everywhere. on the road, on her hair... and the edge of his car's rear window. he walked up to her not happy at all, one might even say threateningly, flicked the gram off his car window, and through gritted teeth hissed, "what the!"