Thursday, 10 March 2022

diwali oh diwali

 

why are you doing this to me on a march morning?
















not the best of gifs, but the best of jodis nevertheless.



what was the matlab, the meanin, of the madness it unleashed on me? it... them... a tv show... easy to say it means nothing, yet, even now, after more almost ten years, when i see this, i watch the jerky motion of the gif, i am trying to lip read, my insides are clenched, my heartbeat is skipping. no matlab, right?





 

Wednesday, 6 June 2018

6 june 2018


seventh anniversary today.

i'm not looking up to see if a helicopter's up there in the sky, arcing away, its sound mingling with the rush of longing in my mind.

pink dupatta, green lehenga, gota shimmer, helmet on her head, sneakers on her feet, wobbly swing of a scooter that belongs to whom, to her or the kaka ji she almost ran over in that crowded lucknow galli, i still wonder.

i still wonder how i got there. to that ramp, to that look in dark eyes with its particular weariness, its preternatural awareness, to that breath caught in the night as a girl fell. i hadn't meant to be there.

who were these people? why was the man in a grey suit walking purposefully toward that girl in a red saree? why was she stepping back, fear and something else emanating from her, filling up the evening, the whole universe. he had the gait of a nocturnal creature, a dangerous one. yet he looked hypnotised, he was vulnerable. reflections shimmered all around, water and fire played in the night. her lips were glistening, pink, light innocent, craving the darkness. his eyes wouldn't leave her lips, their tremble. he seemed to have stopped breathing. i seemed to have stopped breathing.

when everything else stops mattering is a single undefinable yet specific moment. it came out of nowhere, or perhaps it was hidden in the pool, or in asr's wardrobe, or in khushi's tiny glittering bindi, or was it in the pompom? it came and i felt myself give in, there was no option.

now she is on a scooter again. this time i know it's bedi ji's. and she's banged into a big white car. what are you to do when a monster tells you how much it costs to fix a mirror. really, these monsters.

let me go, let me go, she pleads. but he will not. she is a spy. she must tell him why she's here. jiji's wedding can't take place if she doesn't return. let it not, girls like her can find other men. no... how could he. badtameezi. a hiss of anger, a vicious gleam, eyes burn with rage. two people locked in a gaze. snap. an echo of what? horror? the pearls scatter.

hello hi bye bye, aap toh suttupei kar leo. hai re nand kissore, sanka debi, chatori, titaliya. hum nani hain. tumhari saansey ruk jaaygi... raanisahiba... yeh bhi na. tum thik ho? shut up. get out. get ooouuut. di! diii! chhotey. what the! how dare you! kyun, hum daring kyun nahin kar sakte... daring par sirf aapka naam likha hai kya? aap daring khareed li hai kya?!! what nonsense. aap non-

words tumble in and out. music plays. every peak and trough and tremor and pause is etched somewhere. could it be in hamesha? must ask nk, he has good answers, after all he's from kidney.

what is love? what tells you it is, it is indeed love, and nothing else. i hate you. yes, that must be it. hum nafrat karte hain aap se, yes, yes... more nafrat please.

toh kya woh sach taarey ban jaatey hain?

the girl is walking out of his office. tears glitter in her eyes. he looks at her, he can't look away, something is cutting into him... she doesn't matter to him. a door is sliding she on one side, he on the other, a conversation has ended, a conversation has begun.

there was a girl friend. yes, a real one. and she was lovely. there was a villain, a nasty one, i never could forgive the director for giving him khushi's best palat.

the goat was a goat and perhaps a metaphor but nani ji really loved her. she was lakshmi ji, and khushi spoke to her from time to time. the goat didn't mind.

it's okay. biwi ho tum meri. huq hai tumhara... the voice gets smooth, playful, a crack in it... mujh pe.

i'm getting lost. hey hey heyheyhey heyheyhey enters my gut and lingers, calling jo pehle hua na... kyun, dard hai itna... jadoo hai nasha hai... tu hi bata mere maula, tu hi bata mere... rabba vey

rabba vey...

piano notes trill. a girl in a plain red chiffon, earrings brilliant and sparkling dangle, her hair flies, her eyes plead and accuse. a man in a suit, transfixed. maula maula, maula mere maula...

where are we? where are we going. i'll go anywhere with you. the temple is deserted and he is dragging her up the steps. how will i ever like him after this. i must hate him. why do i feel his pain? what trickery is this? don't tell me this is acting. don't tell me he is an actor. i am sitting up in bed. it's the middle of the night. he's just seen khushi in the arms of his brother in law. he is staring at them, stupefied. the expression begins to shift, concentrate...

she is standing on the table in a light green churidar, hands joined over her head, telling the story of janmashtami. why is her voice so lovely? why am i getting as enamoured of the tale as nani ji and di. thank h for la, anaconda. but wait, kans has arrived.

has it been seven years already? five and a half of them without the weekday half hour of dhakdhak starting midnight, here in singapore. no mahaepisodes, no episodes, no telecast, but iss pyaar ko kya naam doon? still plays, the media is different. it's our dil, our dimaag, our dhadkane. hai na... chacha ji? aaargh that first palat.

okay, forget it.. main chahta hoon ki tum mujhe, abhi, kiss karo.
nahin!

as i type out the words, i begin to imagine a kissing scene between the two, i am beginning to choke, but aman has a mission. he calls. i often think hp was his plant in shantivan. had he not knocked on the door that day...



 sanaya irani on instagram today. 







n i s h a n a   e p i s o d e s
.........
fan fiction








Tuesday, 20 December 2016

kissing scene








like a painting often when the two were together in a frame. a layer you can't quite clearly touch, yet you know it's there in their moments together. i have seen many "kissing" scenes, where lips actually touch, a lot of what we think is sensual happens. and as a kid growing up in an environment where no kissing scenes were allowed in movies, the whole thing was naturally always intriguing, something i just had to see. deprivation in early childhood may be the reason ha ha, but i watch shots onscreen which involve physical stuff without flinching, with keen concentration and maybe that's why i know exactly how i feel when i see them. in the beginning, they were most interesting but soon enough they just started looking pretty everyday and ordinary to me. in fact, most times, it started feeling boring or just trying too hard to get the audience gasping. 

i have never ever felt what i feel looking at these two. i first remember going huh when i felt i think my upper arm going kind of hot. what? i thought. what was that? soon enough of course all thought departed. 

all they are doing is looking at each other, or stepping forward/backward, or coming closer... they don't even kiss... and i am getting lost, completely... 

the sensuality of it all changing my breathing pattern. when his hand touched her face, i actually almost passed out. the look in her eyes. 

gah, what was this, if not jadoo, if not the best and the most beautiful kind of nasha. their was not a streak of darkness in it, it was lit and clean and funnily elevating.


















......... 




Monday, 21 September 2015

koi matlab nahin
















.........





halted moments







perhaps he'd never felt his head, his dimaag, shut down so... clearly there was no thought, no limit set by the rational, the thinking. the pool undulated, the night stood silently by, a man and a woman walked, one forward, one back and desire stalked seizing the moment, giving birth to what... 

"at first there was only darkness wrapped in darkness.
all this was only unillumined water.
that one which came to be, enclosed in nothing,
arose at last, born of the power of heat
in the beginning desire descended on it -
that was the primal seed, born of the mind."

~~~ nasadiya sukta, rig veda ~~~





.........

episode rambles
fan fiction




Sunday, 20 September 2015

flames of diwali






layer upon layer, word by word, feeling by feeling his discomfort and anger is rising... he has lost complete control over his feelings. this hasn't happened before... ever... kamzore... kissi ladkise koi faraq nahin padta... then what was this? had she left it alone and walked away things might have gone a different way. but just as she was perturbed so was he... both in difficult places, the more she pushed him, the more he had to hurt her... she had to be told she was of no consequence... he had to tell himself that... no he had to convince himself... his very life seemed to depend on it... so many years' resolve... a decision that had helped him survive... that said, pyaar bakwaas hai... for he had seen its consequences on his mother... he would never let that happen to him... no girl would ever matter, then why... why was this happening, why was he becoming weak... he had to push her away... stop it... but she isn't going away... where did you get the payal... why did you keep it, why are you returning it, why today... he had turned back at the pool without any thought, as he'd looked at her, lovely lissome arms in bright diwali bangles, fingers clutching, a tremulous air making her even more lovely, her smooth girlish bosom covered in deep passionate red, now heaving as she breathed heavily looking torn, questions in her gaze, her long throat, a gold necklace enhancing its beauty even more and those lips, small, innocent, glistening in pearly pink, a little parted trembling as she tried to come back to reality, he couldn't stop himself, he just walked back to her, and as she took her steps away, backing away, he followed as though a magnet pulled him... when she came up against the wall and stopped, he just stood their gazing, eyes riveted on her sweet innocent face, its sensuality seething underneath, his hand came up when he didn't know, oh the touch of her hair, her gentle curve of cheek, he just wanted to be here forever, the other hand soon followed, her cheek rested in the cup of his palm, innocence against knowledge... he could only stare into her eyes and go near... she didn't stop him, he didn't stop himself, he wanted to just tonight he just so wanted to feel those lips against his, this once, now here now... all sound cut out, he began to swoop toward her, to make her his, to become hers.







......... 



 

episode 111 nahin understand


before the owner could think or even knew it, the hand rose in a hypnotic arc slowly and touched the playful lock of hair on her cheek, her forehead, pushing it back slowly, wondering, caressing behind her ear. and then the hand stayed there, just holding her cheek, just wanting to stay there, not leave.

 
the other hand went exploring too, and ever so gently cupped her right cheek. he was holding her face in his hands, his eyes looking intently at her, at her quivering pearl pink lips, there was an air of such utter concentration on his face, his whole body, as though this is all that there was to life, nothing else existed in the whole universe.

 
she was alive to his electric touch, its effect coursing through her entire being, she clutched her saree... what was that, anticipation? and she never turned her face away. never said, "stop, no." she stood there her back against the wall, waiting, just waiting for him to finish what he had started.

maybe there was nothing else in the universe at that moment.




beside this very pool, on another night of festivities, he had asked her rough, abrasive, "tumne toh kaha tha tum chali jaogi... hamesha ke liye," you'd said you'd leave forever? he'd never understood why it had thrown him asunder to think she was going forever... leaving, he would never see her again.
 

he knew he'd never let any woman matter to him, not like that. but he didn't know perhaps it had already begun to be a little too late. he'd seen her sitting in his cupboard that day, a shattering meeting, his world rocked by the effect of her presence. she'd run away. but he'd found her here and made sure she couldn't escape. not again. the violence in the air was it a sign of something else? he refused to think as he jerked her to him and began his tirade... only this time he didn't let his insult about money go all the way. when lavanya walked in she took the chance to escape, but not before a part of her had flung itself right here on the poolside as though it didn't want to leave.

do we do such things when our conscious and our subconscious argue? leave behind telling clues? he had left a key with her. she left back her payal.


he had spent many minutes that night alone, when all had gone to bed, here by the water... with that streak of gleaming silver, touch of her along its surface, sound of her in its tinkling, feel of her in the air. why had he never returned it? did he even know? but tonight he'd heard it was her amma's. the only sign of her mother and he knew what he had to do.

when he saw her amid that circle of flickering, inviting diyas, a resistance he'd worked on assiduously for years began to give way. it came on the back of so many feelings for her that the recent days had aroused. her father was terribly ill, the fear of loss ravaged her, he knew about that fear, and wanted her never to feel it, he wanted to protect her, he wanted to lighten her heart's burden, he wanted to see her happy, he wanted to make sure her eye wasn't hurt, oh god, he did want to touch that lock of  falling hair... then there was that crazy concoction drinking she did the other night, something about black magic... magic... what the. and there she sat now, innocent and lovely, and seductive in red. the last part she was completely unaware of which made it even more impossible to look away.

the party began but all he could look for, sense, yearn for was her, and only her. he could sense her, only her everywhere. and she him. when that became too much to bear, she left the room and went to the poolside... but he had to find her there.

why did he come?

before he could even begin to answer that, she fell; well he wouldn't let her. and he sat her down on his lounger, and lifted her foot and placed it almost reverently on his knee. part of her, her bare skin, her perfect arched foot on him, a beautiful gift almost, the way he touched her skin, her ankle, stroking, gentle. till that hurt had to be given. she clutched his shoulder and let out a small scream of pain. ab theek hai, he said. but he didn't let go of her foot.




he had the payal in his pocket, he drew it out and showed her. she had been riven by feelings she'd never felt before the whole evening, and now his silent offering of her mother's only sign left with her. one she thought she'd lost. she watched speechless, as he with complete right, put the ornament around her slight ankle. he lifted up her saree deliberately but with deference so he could reach around her leg... the absorption in him as he did this delicate task of hooking on a sliver of metal, surely arnav singh raizada doesn't do such things every day. is there anyone else in the world he'd do it for. but he just wanted to make her feel whole again perhaps, give her the joy, and maybe he just had to do it himself just because he had to... i want to put your payal on you, your bangles i will buy, maybe a bindi? i want to be with you, i want to be the one... primeval desire, put the shackles on my woman, keep her with me forever. you can't run away... ever.


when he was done, he paused and gathered himself a bit, a sweet innocence in him, didn't she want to reach out and stroke his hair, there at her feet, a powerful self made tycoon known for his arrogance, his gussa, yet so tender so gentle so respectful just for her. but she wasn't thinking of course, how could she? and then he looked up at her. in her eyes such a storm, so many questions, and that thing however hard you try to deny you can't.


he thought he was done, he got up and stepped back, one two steps, but he had to stand there just staring. no choice, he just had to. she slowly came to her feet, a heat was rising around the cool cool water. and it wasn't from the lamps.


she couldn't bear it perhaps, so she turned away, a conversation ending? he perhaps took it as a cue, thinking he could indeed escape and made his way toward the stairs. yet he did have to stop, have to turn around, have to look at her and let himself go, go and take in all that beauty into his heart, into his gut, into his every single part, somewhere along the way.



had to just be there in that moment. where time will stop having any meaning... this was pure unadulterated chaotic mind altering magic.

and intoxication. of innocence of lustre of beauty of sheen of a hidden burning flaming untried unspoilt unmarred desire. how her gaze hid its truth, how her fidgeting hands, her heaving bosom revealed it anyway, how he yearned to gather it all close to him, against him, all of it, only his. 


he was drowning in it, but was he alone?




he had to walk back and right up to her, no words were needed to make his intentions clear, she had a choice to walk away, but she couldn't, instead backward she stepped, almost pulling him along with her, no one had any thought or volition in this matter. she had to go further back, he had to go wherever she went.

swirling winds and stirring music mixed with the first notes of "jadoo hai nasha hai," and desire as we'd see it onscreen got redefined in one long take and what was to follow. my ears feel their heat, my hands tremble almost touching their passion. my head loses all thought as theirs do too. long time ago in a movie called poltergeist, they had this story of a creature from television coming out and grabbing a kid. well, one may laugh at this, but honestly, this scene has had that effect on me every single time i have seen it. poltergeist. that's what it is.


the incredible detailing, the framing of shot, the magnifications played with, the direction, the choice of shots, the lighting, camera, sound, and of course those two people, it all has created a classic scene that spells desire and passion and the losing of one's mind to it like nothing i've ever seen before. deserves an award. a massive mention in the history of indian tv when that gets written finally. 

a few fairly cliche things: woman in red, night, flickering lights, water, two good looking people, the right kind of music, passion being drawn by a director and his actors. we have seen this before. but ever like this? i am full of admiration for the art and complete understanding of a moment by each and everyone involved.



a man and a woman and a sensation that is too powerful to even begin describing. tonight it broke limits and the ocean breached the shore flowing over and the shore melted, merged and said, submerge me.

when she came up against the wall, she stopped. and quivered, and trembled and waited. the longest moments of desire burgeoning, just with eyes emoting, a face swooping, eyes losing focus, getting inebriated, lips half open asking, begging, yes frightened. something unknown something unbelievably exciting on the way.
 



satyr ears, mesmerizing eyes, a set of pearly lips, a hand clutching red. he came closer, an overwhelming desire.


and the phone rang.



she is startled. his eyes flash. return to here and now. and its trauma. its unending questions. 

 

in classic asr inflection, he closes his eyes, when they open and he turns his gaze on her you can already see the fear, the disbelief dawning...


if aman hadn't called tonight, the kiss would not be where it would have ended, it would have gone all the way to him lifting her up and taking her to the bed visible through the glass doors, and her holding him tight, close, fingers running through his silken hair, never ever dreaming of saying "no". 

perhaps that thought also rattled them so.





"yeh kya hua... hum iss tarah kaise? aur... arnavji ke paas humari payal? matlab kya hua ye sab ka... hume pata lagana hoga... poochna hoga hume." what happened now... how can i?... and  my payal is with arnavji? what is the meaning of all this... i must find out... i will have to ask. she is determined to know what's up. about the payal, but more about all that... wo sab.

"kaise kar sakta hoon main ye... kya ho gaya tha mujhe... kyun... kyun kamzore pad gaya main." how can i do this... what happened to me... why did i become weak. he has sworn never to let a woman matter, never let her anywhere near her heart. he walks away to seeking a  sanctuary, find his calm, feel strong... not so kamzore. in his eyes this is hell, how could this happen.



if only she had let him be. but then again, she needed her peace, and she thought that was in those answers, the ones only he could give her. a relentless pursuit started.

he avoided her eyes, he disappeared from her sight, but she found him by the place of emotions that are just so theirs. the poolside.

"hum jaante hain ki iss waqt aap phone pe nahin hai..." i know you are not on the phone, she said standing behind him, as intense as he was only minutes ago.

"hume aapse kuch baat karni hai," i need to talk to you about something.

"mujhe tumse koi baat nahin karni," i don't want to talk to you, in his clipped, contemporary lingo.


aap... tum. two worlds... two mindsets... one driving need.


"karni padegi... aapko humari payal kahan mili... kabse yeh aapke paas thi (he swallows, but resolutely quiet)... aur.. aapne hume pehle wapis kyu nahin diya... sirf aaj hi kyun" you have to tell me, where did you get my payal... why didn't you return it to me before? oh, that innocent childlike lilt in her voice at the end...

"bataiye.. jawab dijiye...
,"  tell me, answer me... she is insistent, peremptory almost... it's all getting too much for him...
 

"ek baar kahi hui baat tumhe samajh nahin aati hai? just leave me alone," he snaps, with a nasty twist to his lip... don't you understand what's been told once to you?

"in fact, tumhari shaql bhi nahin dekhni hai... do you understand." in fact, i don't want to see your face, do you understand?

she's hurt, shocked at his vicious clipped tone, but still persistent.

"nahin understand... aap samjhaiye hume," don't understand, you make me...

"nikal jaao yahan se..." get out of here...

he wants to leave... she stops him. aggression in her, picked up no doubt from him, and from all the burning sensations within, the fire moving from desire to rage. changing energy, growing bigger at every stage... pure physics.

"humne kaha samjhaiya hume... bataaiye kyun aapne humari payal apne paas rakhi... kyun ab tak wapas nahin diye.. iss sab ka kya matlab hai..." i said make me understand... tell me why did you keep my payal... why didn't you return it till now.. what's the meaning of all this? her voice is rising voice rising, strident...

"aur wo sab,"  her voice loses edge, lost suddenly... and all that?

pause...

music gets dense, his face, half turned away, he raises his eyes to her face

"aur usska jo... kuch der... pehle..." and that ... which.. a little while back...


unbearable for him.

 





"i said just leave me alone..." he is struggling. he needs her to stop this inquisition, he is way outside his place of ease, he is breaking, badly... yes,

she doesn't read the signs, for she is beside herself too, everything is roiling within... what's going on...

"hum..."


and he lunges forward grabbing her shoulders, teeth gritted, hissing in anger almost...

"ek shabd bhi ekbar bola na toh..."
if you say even one word now... i think that's what he rasped out, so angry so helpless.

the tears form in her eyes... he just stares, melting breaking ending falling shattering inside... rabba vey, the saddest most forlorn call to the eternal... two people going under, no fault of either, just that it had to be so.



she is crying, squirming at his roughness, his eyes can't watch this any more, they close, a storm of emotions in him... he lets go of her shoulders... he steps back... he can't meet her eyes, maybe he won't , maybe that's when in that agonised state of mind he would take a decision that would lead only to heart break.

this was the evening of decision, after all.

"aap iss tarah bina humara sawal ka jawab diye nahin ja sakte." you can't laeve like thsi without giving me an answer...

"jawab? mujhe tumhe koi jawab dene ki zaroorat nahin hai..." answer? i don't need to give you one.

"aap..."

and he leaves.



layer upon layer, word by word, feeling by feeling his discomfort and anger is rising... he has lost complete control over his feelings. this hasn't happened before... ever... kamzore... kissi ladkise koi faraq nahin padta... then what was this? had she left it alone and walked away things might have gone a different way. but just as she was perturbed so was he... both in difficult places, the more she pushed him, the more he had to hurt her... she had to be told she was of no consequence... he had to tell himself that... no he had to convince himself... his very life seemed to depend on it... so many years' resolve... a decision that had helped him survive... that said, pyaar bakwaas hai... for he had seen its consequences on his mother... he would never let that happen to him... no girl would ever matter, then why... why was this happening, why was he becoming weak... he had to push her away... stop it... but she isn't going away...where did you get the payal.. why did you keep it, why are you returning it, why today... he had turned back at the pool without any thought, as he'd looked at her, lovely lissome arms in bright diwali bangles, fingers clutching, a tremulous air making her even more lovely, her smooth girlish bosom covered in deep passionate red, now heaving as she breathed heavily looking torn, questions in her gaze, her long throat, a gold necklace enhancing its beauty even more and those lips, small, innocent, glistening in pearly pink, a little parted trembling as she tried to come back to reality, he couldn't stop himself, he just walked back to her, and as she took her steps away, backing away, he followed as though a magnet pulled him... when she came up against the wall and stopped, he just stood their gazing, eyes riveted on her sweet innocent face, its sensuality seething underneath, his hand came up when he didn't know, oh the touch of her hair, her gentle curve of cheek, he just wanted to be here forever, the other hand soon followed, her cheek rested in the cup of his palm, innocence against knowledge... he could only stare into her eyes and go near... she didn't stop him, he didn't stop himself, he wanted to just tonight he just so wanted to feel those lips against his, this once, now here now... all sound cut out, he began to swoop toward her, to make her his, to become hers.

how could he lose control like that?

and now she is saying make me understand... he can't... he must push her out out of his life.

how?

and he walked straight in to the bustling diwali party to the girl who felt safe, with whom he never lost control, who'd always put him first and take what he can give... lavanya. he held her hand and said... "shadi kar raha hai," getting married... he looked at no one as he said the words. he'd turned his entire position on marriage, but it wasn't because he loved his girl friend and wanted her to be part of his life... it was because he lost his bearings entirely on the issue of letting anyone, any girl, matter to him in his life, yet there she stood outside the glass door and all he wanted was her her and just more of her. how could such a thing have happened.



her world shattered as she saw him do what he did... 18, in love, with a mysterious, broken man, who aroused her as she never knew one could be, kept her payal safe, put it on for her like a lover would, made her want to be held and smothered with hard passionate kisses, confused woh sab.

and now he is marrying the girl he said he never would. a girl who had become a friend of hers...

tu hi bata mere maula..

his eyes never left her, her tears just flowed on.



this was a night like no other night.





.........