ankh micholi, anyone?
episode 57 indeed a maha episode
but
first, i would like to start with an invocation to the god of
handsomeness and thank her for bestowing upon us this incredible
creation of hers which now looks at our heroine with incredulous eyes.
sorry, have to gush. really, how good looking must a man be, and that
too while he's acting so terribly well in of all things, a daily soap.
spiky hair, lean hassled visage, everything motionless, just an eruption
of feelings rushing to get to the climax. i could watch this scene for
hours, like that other one of him walking into the mazar, long loping
stride, inert eyes, black clothes, white bandana. "what the" has never
sounded so divine.
it's a good thing that she didn't open her eyes. if she had, the story would have ended right here, no question of not falling in love and crashing into his arms. but today a celestial game was at play, that was devised to keep the story interesting, dynamic, and without end.
as i watched, it was quite obvious that the whole 45 odd minutes were laid out around hide and seek. people missed each other, feelings stole into corners and never got caught, secrets were almost out, phew! but not quite. but why? why this devise suddenly? and that too right across an extended episode? perhaps it was just to raise the tension, keep us glued and use a familiar film technique. or it was ankh micholi, the game of krishna come to visit this drama that has references to him in so many ways right through.
"hai re nand kissore!" the first words of ipk. and if i look back, so many many krishna moments all through. he was in the name of the friend, the sakha, nk; and he was in the name of the villain; his story was told with such charm by the lovely ingenuous khushi; and he and his consort were there when she felt like his patni, and when she didn't; of course, he was always in buaji's words and thoughts, and allusions and traits of him were to be found in many a character during the telling of the tale: as charioteer, as wise counsel, as giver of judgment... maybe, in this ankh micholi too? and if so, it was a fascinating creative leap to keep krishna in the proceedings. interestingly, the child actor who played bubli, used to act as little krishna in her previous role.
krishna played blindman's bluff, with the boys and the girls, his gopis too. minor modification for the ladies: he had to kiss the girls to identify them. rule made by him, of course. there was always a sweet naughtiness, a lightness to the tales of this avatar; a certain empathy, beauty, fun, and delight. you didn't have to worship him to find him engaging. if indeed the hide and seek trick was borrowed from nand kissore, i'd find it really clever.
if not, no matter, still reminded me of him and his lover. especially, loaded as the game was with matters of love. and light and sprightly it went, traipsing and trilling through the bhoolbhulaiya (maze) of shantivan, with concentrated bursts of earth shaking emotion in in between. fantastic balance of light and deep, dhoop chhaaon... hai dhoop sa agar woh, woh chandni raat si hai.
and joining the sport to make it delicately deliciously interesting: curtains. diaphanous, floating, now revealing, now concealing, cousins of the dupatta. that opening sequence was the first sign, i guess. the breeze is telling them both, she's here, he's here, but since both are hesitating before truth, it hides itself, behind the decorator's curtains.
i
can't see you, you're not here. but i can hear you... khushi is the
first to know, and she's determined not to get caught. what she doesn't
know though is there's another thief in the premises. a sick man with
ugly intentions and desires.
"mujhe galatiyan aur unhe karne wale
pasand nahin," i don't like mistakes and those who make them, says the
man in charge, arnav singh raizada, making sure all arrangements for the
party are impeccable. a certain terseness in him, so much to do, all
sorts of unsettled feelings at home since la's entry, and the constant
"ahsaas" of a person, something he swears he has no place for in his
life. maybe that's the "galati" you make, and nand kissore is playing a
game with you to see if you can find the truth and be "sahi"?
she's
constantly worried about being discovered by him, and so misses the the
truth right under her nose, or at least next to it. she passes by shyam
and anjali's room as they chat standing before the door, but doesn't
see him. nor he her. again and again this almost reveal. sometimes in
the most interesting layered visuals.
di
and shyam have a little tiff over his many admirers. creatives give the
pretender krishna little touches of the real and eternal lover. but
here is one who has no notion of love, at best what he feels is lust. a
pity, his consort isn't radha, a bit of a gandhari our anjali. reminds
me of the magnificent queen from mahabharat who wore a blindfold forever
because her husband couldn't see and so she decided to suffer with him.
just like her, anjali couldn't see a thing, and shyam again won the
ankh micholi round, his prize, a gentle, loving, credulous, "aap bhi na."
in
playful vein, creatives bring in stairs from ar office to shantivan, to
test us no doubt. was i wrong or was there a curved staircase just
behind khushi which i've never seen here? spotting the rakshas, she
hides in shyam anjali's room, he passes her and senses... hey hey...
he bumps into someone, "dekhkar nahin chal sakte? tumhari galati ki saza tumhari naukri bhi ho sakti hai."
can't you see where you're going, the cost of your mistake may be your
job. but sir, was the mistake his or were you distracted... by that
sense of a woman?
shyam almost sees her but doesn't. khushi runs
helter skelter through the unfamiliar corridors and leaps into a room.
one she doesn't know at all, but had at one time thought belonged to the
bakri. unfortunately, it belongs to the lion and he is on his way here,
his attendant music following him resplendent. our man is thoroughly
displeased, is rushing to change.
sanaya
was simply brilliant as she ran around frantic looking for a space to
hide, then jumped into the wardrobe. only khushi could have done that.
something so very specific in that move. the visual space is super
crowded these days, so many images, it's rare to come across something
original. yet, ipk found new ways of showing things so often. can't
remember ever seeing a girl in a cupboard, one eye open, comic air
getting giggles going, and then wham... thick, pulse rate quickening
passion, can't breathe, a crazy note of romance... and off she goes
again, dupatta flying, something really funny and really desperate at
once, his khushi... khushi... khushiii making
you wonder, making you sad, making you happy. thrilling, wasn't it? yet
delightfully light like a perfect souffle, with a little red dupatta
flambe. oh that flying streak of vermillion, and him leaping to catch
it, just took it all to another plane.
wasn't
he supposed to be mad at her? decided to not think of her just a while
back. no place for such feelings. she is a part of my past that is over.
and yet you just know it when she's around. what's in her that calls
out to you? and now she sits inside your cupboard, inside you
essentially.
"tum yahan kya kar rahi ho?"
what are you doing here? oh the pain of knowing she isn't here. the
grappling with it. all the upheaval. and suddenly, she's before his
eyes. of course, he's startled at first, then perhaps a bit angry, but
deep down maybe a feeling more forceful is taking root, a feeling of
finding his breath again. of sheer relief. the kind that makes you let
go inside, leaves you dumbfounded.
when she jumps out, you reach
out instinctively, wanting to keep her near, for all your roughness, and
anger, the moment she's close you're nonplussed... rabba vey, and she
flies off taking advantage of your state of mind. playing ankh micholi
with your feelings... now you catch it, now you don't...
and
what about her, she'd just said she hadn't returned to delhi for him,
but in that long moment that he held her and they looked into each
others eyes, why that change of note?
behind the veil of comedy, serious, seething, heated emotion telling its own parallel story.
i
needed to pause here for breath and let my eyes rest. and before we
resume, a question, was akash wearing the shirt that asr wore the night
of faraq nahin padta? nooo.
nani ji notices "mithai ki khushboo kuch aur hi hai."
the sweets have a delightful aroma... talk of sweets from lucknow; and dreams of sweet nothings in akash upon
seeing payal. of course, mami the sharp eyed notes this dose of sudden
sweetness in her son's life and decides it's bad for him, "jo bhi hao e laknow sisters ko out kareka padi." whatever it is, got to get these lucknow sisters out.
asr is tortured, pacing, remembers, "hum aapke nazron se hamesha ke liye door ja rahein hain..."
i am going far from your sight forever. khushi yahan kya kar rahi hai? what's khushi doing here, he is immersed
in this conundrum. his girlfriend floats in, all dressed up and sexy,
how am i looking, she asks getting close. he almost doesn't see her. the
eyes are on the one who's flown, that's whom they seek. when his sister
walks in, he asks, irritated and hassled, forgetting his resolve to not
let anything disturb the cadence of his sister's big day, "di, khushi yahan kya kar rahi hai?"
what's khushi doing here? if i knew she'd bagged the order, i'd have
cancelled it. really, so that's why you ask the same question again and
again. shatir asr totally stumped.
in another hide and seek ploy,
shyam is told by anji about khushi. when she turns around, he's not
there. he hasn't heard a thing. months later, the same would happen the
night of the betrayal, asr would tell di all only to find she's passed
out. hasn't heard a thing. it will lead to chaos, but tonight, all it
leads to is a "yeh bhi na."
another
echo from the future in his announcement to the guests, "meri zindagi
ke do sabse important log... di aur jeeja ji." the two most important
people in my life, di and jeeja ji. there will remain two most important
people in his life, just not in this combination.
a cascade of
neatly edited scenes peek into hidden thoughts and faces. will khushi
see shyam? will shyam see khushi? will anjali find out? creatives are
having much fun obviously. and in the middle of all that a
strange surprise from la. she obviously is completely blindfolded, no
idea who her target audience is. a neatly packed episode with all the
bits in place for the next climax.
in the middle of all this mami
is being really rude to khushi and payal, treating them like waiters.
mami ji... aap bhi na. anyway, payal drops juice and khushi leaves the
room to find tissues at the poolside, relieved at the thought of
escaping his nearness.
but looks like that isn't going to happen. he has seen her and he follows her out. "tumne toh kaha tha ki lucknow chali jaogi..." you'd said you'd go away to lucknow, he barks at her.
she's
shocked, but opts to remain mute... not a word since he found her in
the cupboard. she is just too disturbed to say anything i guess. she
tries to walk past him without a word. he catches hold of her arm in a
tight grip. yet again. she stands there still, taut, tense, eyes
confused, unsure. finally, in measured undertone, "aap badtameezi kar rahen hain." you're being discourteous.
"kyunki badtameezi ke elawa aur koi bhasha tumhe samajh mein nahin aati hai." because you don't understand anything but this sort of language, he is in a nasty nasty mood now.
and he goes for it.
"main tumse kuch pooch raha hoon..." i'm asking you something... so intimate the voice, like it's touching her. "tumne toh kaha tha ki lucknow chali jaogi... waapas laut kar nahin aogi," you'd said you'd go to lucknow, not come back. my heart shivers/leaps at his voice, that wapas nahin aaogi is killing him somewhere... "phir yahan kya kar rahi..."
you'd
said you'd go away... so why are you here... you'd said you'd never
come back... what are you doing here... if you go away on a summers's
day... again the sadness of the song hidden behind the anger of the
voice.
but if you stay... my wayward mind adds in...
"majboori thi... tab bhi... aur ab bhi."
had no choice, then too... now as well. khushi is no longer running,
skipping, jumping, acting cute, nothing, some part of her that no one
else touches but this man, is touched again. only for him her voice
grows deep like this, mature, poised, a woman vis a vis a man.
"aap hamara haath chhodiye warna..." leave my hand...
"warna?" or else?
"warna kya kar logi tum?" what will you do?
"aap asr honge aapke ghar mein." you may be asr in your own home...
a khushi like flip into a rash statement looking for a solid repartee to shut this terrible man up.(a little break for respite by the creatives for us panting viewers?)
"mera hi ghar hai." it is my home.
if
i hadn't spent all the money, i'd have died before coming here to the
home of people such as yourself. khushi returns to the seriousness of
the moment.
"pehle bhi tum hum jaise logon ke yahan hi kam karti thi." you used to work for people like us before too. "aur waise bhi, tum jaise log toh paison ke liye..." and anyway, for money, people like you... he stops as she looks up.
tonight
he doesn't complete that sentence. something in her gaze, angry,
gaining a power of its own, stops him. the intensity in both was of
another order. out in the open. ankh micholi ceased.
la walked in. no one practically noticed her.
khushi walked out without a word. but what's this?
her payal slipped off as though it had a mind of its own. he saw it.
one
day, a key had slipped off from his hand, so they could meet again. now
this payal. what will this bring? and why is it that everything around
and on them wants them to find each other, yet these two... and he
turned and looked back.
this
is the first time we see khushi in red with asr by the pool. there will
be many times more when the colour of passion will attend their love
story unfolding here. today's red was definitely chilli padi red. those
who've lived in south east asia will know the power and bite of this
deadly chilli, small, red, sharp, and has it got oomph. you don't need a
little or long black dress to be an absolute bomb. i can't live without
my chilli padi, looks like asr is beginning to catch the ailment.
......................
fanfiction
