Tuesday, 28 March 2017

the feeling of 50





how do you express a feeling that is confusing? one that almost unexpectedly comes upon you and leads you to a strange moment? a feeling that puts you in a quandary, no idea what exactly it might be or why it's there at all. yet you just feel it and don't seem to mind, even though you frown.



how do you say all that while staring at a camera... without a single word... maybe a flashback once in a way to aid the viewer, but really... even without those flashbacks, would i have not known arnav singh raizada's state of mind? i hope to see this actor soon in a role that demands everything of him that he can give... for even just watching it feels like one is in a strange and wonderful place.










episode 50 of doors and dupattas





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fanfiction







Monday, 29 August 2016

episode 50 of doors and dupattas ~ (vm: to love unconditional)


of doorways, dupattas, devi maiyya, and signs people just don't get.

jaldbaazi mein li gayi faisla hamesha galat hota hai. decisions taken in a rush are always wrong. khushi, are you listening? so you felt the pounding in your heart, the longing in your thoughts, the wanting in your veins, and when the door opened in a hot storeroom swarming with unspoken emotion you decided to bolt. the door is open khushi now, so why can't you run way?

why this jalebi mountain of hesitation? what's this ishara you seek? your father's shop is gone, your parents need you there, you've been in this city only two weeks, your first time ever, yet dilli seems to have a hold over you that your home, your lucknow, is beginning to lose. hume aapse koi baat nahi karni. i don't want to say anything to you. really?

maybe it's time to exit one doorway and enter another. the images of doors fill the episodes. time to cross the threshold to a new phase of life? always hard, but here it is and dm works hard to open your eyes, awaken your consciousness. you don't really want to go to lucknow hamesha ke liye. your hamesha is moving cities. it's right here.




"hume maaf kar dijiye, devi maiyya, hum fir se aap ko bhoolke jaa rahe the." what's happened to me, dm, again i forget you!

there are many ways we show reluctance to do a thing, this is just one of them. a hundred impediments you create in the path, so that it need not be taken. i've done it. i remember years ago, i had to leave my home to go back to bombay to finish my studies. i didn't want to go, because my boyfriend had moved back to calcutta from bombay and the thought of leaving him was not sitting well with me at all. 


when we left home for the station, first i realised i'd forgotten the tickets, so we came back. my heart was heavy, there was enough time. why why? then almost at the station, i discovered i'd left my keys at home. ah i thought, now my mom and bf would have to turn back, not much time for the train's departure too.

heartless zamana, the two decided i didn't need keys to my bags, the lock could be broken once i reached. i was taken to that train... oh i know exactly how khushi's feeling. only diff, she refuses to know why.

"yeh ho kya raha hai, devi maiyya, kya hum sahi kar rahe hain, ya fir... ya fir koi galat kadam utha rahe hain... kuch toh boliye na dm, kuch toh ishara dijiye." am i doing right? oh, give me a sign.



and the breeze, so long a companion of all the conspirators in this tale of love that almost wasn't, rises and lifts dm's sparkling chunari, her dupatta...




wrapping it over khushi's face. did she remember someone's face covered in her naughty dupatta... ber sarai... storeroom... mazar, but that last one only the dupatta knew and the man with hurt and anger in his eyes, though he had no idea whose white diaphanous veil had touched, lingered, almost caressed his face.

with an uncertain air, a trace of worry bordering on hysteria on her voice, fidgety movements, finding innovative ways to delay departure, khushi showed how khush she was about her decision.

a quirky, cute, khushiness to her expression of this angst.

a whole episode almost went by with details of plot thickening, comedy around lavanya, mami ji and the travails of turning la into a kitchen quoon. but bhen mami's here bhy phear? we did get to the other side of that angst finally.

only, nothing quirky or cute here.

just intensity.

longing.

terrible hurt.

helplessness.

a man whose girlfriend had come home to live with him only a day ago, stood helpless before a locked door. not his gf's home. he didn't say a word. none of that give ishara, what to do now, frenetic movement. nothing. in fact, he stood still. at first, pretending not to care.



then ever so cautiously, almost as though wanting to shield himself from hurt, yet not being able to stop himself from looking, he turned.





how vulnerable this tall dark handsome man. always in control. ever the dominant one. yet right now, fragile... fearful... unsure of how to touch these feelings riving him.

kab se aankhen meri raha mein teri bichhi... words from a song in my head. there was also pain in his darkening irises, pain in his breath it seemed.

he stood still. and i heard so much. his director, arshad khan, has gone on record saying the intensity and "everything" was in barun. yes, indeed it was.

sometimes i wonder does barun sobti actively create these gazes or are they just part of him? so much roil, so much depth in those eyes. staggering. my heart can't help but respond. if the job of an actor is to take us away from our immediate hard reality and help us fly our mind and heart to places of imagination, letting us free ourselves and return with freshness, look at things anew, then barun sobti does it every time for me. no idea if that is the job of an actor, but can tell you with abs honesty, this is what he gives me.



a door had closed yet he couldn't look away, he watched motionless, only eyes moving heaven and earth... rabba vey filled the air.




and she pushed him hard... the fiery girl in the guesthouse captured his mind. as if not content with his vulnerability, the breeze and the dupattas got together to plague him. stir his feelings. make him realise. force him to read signs.



 she was pushing him in that guesthouse on a night of storm and wreckage, he was grasping her arms, thrusting her back against the surface of a drum, some sort of construction equipment. she was resisting him, angry...



she was fainting in his arms...


he was carrying her...


and then through this very doorway, he'd brought her in that night of storm and rain... this doorway that stared back at him unblinking... shut...



to lay her ever so gently on the bed, cradling her head,


and to find when he wanted to leave her, that she didn't want to let go, her hand clutched onto him.


 
a tenderness couldn't help but fill his heart. maybe that's precisely when his heart got caught and he never knew. how much he'd want that hand to hold on the day on the cliff. then he'd cross another threshold with her carrying her just like this... the first time ever that he'd stepped across through a doorway, her in  his arms. click here to watch a vm that roams through these moments.

he stared long at this memory. but the dupattas got even more intrusive and as he caught one to move it away, storeroom returned.





her dupatta flying and caressing him, refusing to leave even though she was ranting, hurling her words at him. humari shakal nahin dekhna chahte hain na aap... hum jaa rahein hain... hamesha ke liye... you don't want to see my face, right?... well, i'm going away... forever...



come back, his aching gaze seemed to plead trying to push aside the curtain of pain and open a door, walk in maybe... iss pyaar mein sahi aur galat ka koi matlab nahin... agar matlab hai toh sirf iss baat ka ki main tumse hamesha... hamesha...

in this love, write and wrong have no meaning... if there's meaning it's only this, that i will always... always...


did she hear his call through all the breeze, the swirl of dupatta, the grip of denial? leaning out, her ear straining, wanting to catch something someone said?





         

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 credit: uploader








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fanfiction












Monday, 2 November 2015

episode 228 hamesha is sometimes just a moment



she'd said she'd go away forever and he had no idea why it mattered. but it did. so much that he feared. asr was afraid to turn around and look at her place... what if he saw... a locked door. she's gone. he was not going to look, faraq nahin padta, but all he was aware of was that door, that house where he'd walked in with her in his arms, when he'd feared she was gone, when she'd held onto his lapel, when he'd had to steal a look at her through the window to make sure she was ok, she was alive, she was awake. and now he had to turn and see, every part of him wanted to see, he couldn't resist any longer, he turned. a locked door. he felt a rush of feelings he'd never known before. the billowing dupattas came from nowhere and reminded him of things, touching him, reaching out, bringing him murmurings and messages he didn't clearly understand. just  a funny dry pain shot through him and he couldn't look away. episode 50, neatly designed, no gaps, no awkward breaks, and an unforgettable moment without a single word where we try to catch a feeling it is really difficult to name or explain in mere words.

i don't know why but this longing of arnav singh raizada, this fear that she's gone forever seems to be echoing in the layers of these post wedding days, even in swami, especially in certain moments of 228. as he looks at her, as he wants her, does he think she can never be really his ever? he had feared crazily that evening in the guest house, but she was safe. then came lucknow and her decision to go away forever... hamesha. but she did return. he started to understand those messages, those feelings... and again came a moment of losing her. lucknow is one thing, but how to win the one you love if she loves another? 



episode 228

"what if i lost you?!" he had yelled frantically without paying any heed to where he was or who was listening that night. holding her face in his hands, he'd let out his desperate fear and that incalculable need for a girl who came from nowhere and changed his world forever.


she had needed him to say as much to her, maybe she had no idea but this is how he said i love you, i can't live without you... maybe she needed the words then, so she had pushed him away and said, so what.

seething, he had brought her back home, again going to pieces when her bangle broke and a shard lodged itself in her wrist.

he couldn't afford to lose her. she had become vital to life. to living.

while writing on 178, the "what if i lost you?" episode, i'd felt his desperation. life without khushi had already become impossible to imagine. a para from that take:

'as though the whole story of love got told in that one violent, vehement, exclamation on a dark road. a plea in it, a declaration too. don't leave me ever, i can't live without you. this point on that part of the story will be told, there will be a "khushi" connecting heartbeats, a silent near death by a terrace treacherous, madness, mayhem, even hate... yet the journey will go inexorably to the subtext of "what if i lost you?"

"don't ever leave me. main tumhare bina ji nahin paaoonga."'

and yet, he had stood there watching on that terrace as she had been held by another. a part of him had felt, this was it... he had indeed lost her.

that feeling perhaps was separate from and more intense than any other feeling he'd had at that moment. i remember thinking, for a moment then he reminded me of his mother... dying inside the way she did when she realised her husband indeed had another lover. yes he was asr the brother watching catastrophic betrayal, but even more at one level he was the new, besotted lover full of hope, dying a terrifying death.

khushi was gone forever. he had lost her.

funny thing about love though, it is not easy to erase from the heart. even if your lover is false, even if your lover is unfair, sometimes even if they murder, they maim, they cheat on you. neither he nor she could snuff out that feeling, no matter how much they suffered.

228 continued from 227 on the theme of kkgsr trying out her new strategy to destroy him... kill him with expressed love. delightful acting by both sanaya and the red clad angry young hero.

she laughed in green as he seethed in crimson, his whole family enjoyed a little leg pulling of the mighty one. he sounded utterly cute complaining to nani... look what she's calling me! what? swami! snigger snigger around the table. 

 
frankly, that was not at all asr, but barun managed to keep his asr despite the cutesy. i said "phew!"

he charged off looking hot, managed to get a white shirt (yes yes yes) from akash who had arrived with yellow roses for one of the most embarrassing characters in ipk... he rushed off to wear his shoes, for once they were polished, wonderful.

and she planned yet another little game. it was meant to be light and fun and irritate him further.

that was all.

when she held his chin without thinking and pulled him close, she had no idea what this might lead to.

he looked up, taken by surprise, saw her leaning so close, then she made contact.

forehead to forehead.

complete contact of a powerful centre of energy, where the teeka sits... a potent symbol in hindu thought. the area between the eyebrows where we put our bindi, a little dot of colour, is also considered to be the sixth chakra, "ajna", the seat of concealed wisdom. the bindi represents the third eye... a mystical and highly esoteric idea of an invisible eye that has the power to perceive beyond what the eye can. and it sees things that ordinary sight is not able to. (information from the net, but most hindus have grown up hearing about this concept.)

she dragged him to her this time. and leaning over him, laid her forehead on his. their bodies touched, where the third eye resonates. a mytical element to this touching. 

as the moment caught them in its clasp and took them away from all that was here, she began to lift her head, while he stared at her as if seeing her for the first time. and in their inverted lines, profiles almost flowing into each other and fitting, another concept of opposite forces being interconnected and interdependent came to mind, the yin and the yang.

but had there been not even a single mystical connotation, the moment and that touch were still profound. for an instant, both became who they were before the terrace ever happened.

a man and a woman who loved each other. who couldn't live without each other.

a moment of intense awareness. all non essentials fell away.

they stayed there, not moving, almost not breathing.

then a single word escaped his lips, guttural, resonating with the longing that was in his eyes that day he thought she had left... and the passion of the explosive "what if i lost you?!"

"khushi."

that was all he said.

i felt his desire, his love, his melting into her, his call to her soul, his immersion in her, and his heart beat... now inextricably connected with her name.

she felt all of it too, she stayed there unable to react, to move, getting lost. then she pulled herself up, still disoriented, wanting him as much as he wanted her. and once more returned to the here and now and the game that must be played.

all the fun and play that followed was engaging, but at the centre of the episode somehow was that one simple moment, its effect radiating out in ripples across the rest of the action.

one more beautiful thing in that contact, that connection... the transference of colour, from him to her. this time it was a perfect bindi, red and vibrant, as though she had branded him and made him her own.

as though she is colouring him somehow, helping him find his colour, feel it, wear it... lovers always influence each other, the best ones do it positively, taking each other to new levels of life and consciousness... again and again their colours will mingle. in the guest house, it had been a cut and blood red, later sindoor and later still a spot of blood from her on him that would not go...

haldi on her dupatta, her being almost, he had rubbed. the future holds heady play of mehendi and haldi... 

intimate, sexual, sensual and even mystical this exchange of colour... 


he in the meantime skipped breakfast and lunch, not even gila gila pusta was consumed. funnily, in reality too he looked a bit thin and drawn somehow, maybe this is around when ipk started telling on barun's health; but he didn't fail to have my dhadkane increase in that shot with the spider web like graph on him. i did notice too not one other guy working in ar is anywhere near good looking.